Completed Dissertations
present–2020 | 2019–2010 | 2009–2000 | 1999–1990 | 1989–1980 | 1979–1970 | 1969–1960 | 1959–1950 | 1949–1940 | 1939–1930
2019
Edina Adam, Jacopo Ligozzi ‘Come Forestiero’ and the Notion of Foreignness in His Art. Advidor: Patricia Rubin
Stephanie Rose Mary Caruso, Redirecting Gazes: The Design and Reception of a Late Antique Pictorial Motif. Advisor: Thelma Thomas
Francisco J. R. Chaparro, Victimhood in Goya. Rhetorics and Anti-Rhetorics on the Threshold of Photography. Advisors: Edward J. Sullivan, Jonathan Brown
Grace Chuang, Bernard (II) Vanrisamburgh, Master Cabinetmaker in Eighteenth-century Paris. Advisor: Thomas Crow
Benjamin Clifford, Painting After Modernism: Rethinking Historical Change. Advisor: Robert Slifkin
Alexis Lowry, A Study of Line and Its Possibilities’: Michael Heizer’s Nine Nevada Depressions. Advisor: Jeffrey Weiss
Elizabeth McGovern, Fashioning Identity in Eighteenth-Dynasty Egypt: Costume, Communication, and Self-Presentation in the Tombs of the Nobles. Advisor: David O'Connor
Andrea Nitsche-Krupp, Material Proposition: The Early Work of Matthew Barney. Advisor: Jeffrey Weiss
Fatima Quraishi, Necropolis as Palimpsest: The Cemetery of Makli in Sindh, Pakistan. Advisors: Barry Flood, Dipti Khera
2018
Andrea Mari Myer Achi, Illuminating the Scriptorium: The St. Michael Collection and Monastic Book Production in the Fayyum Oasis, Egypt during the Ninth and Tenth Centuries. Advisor: Thelma Thomas
Elizabeth Buhe, Sam Francis: Functional Abstraction. Advisor: Thomas Crow
Laura Dickey Corey, Mary Cassatt (1844-1926), American Tastemaker: Portrait of the Artist as Advisor. Advisor: Jonathan Brown
Allison KIdd, Imaginibus vel Simulacris: Depicting Urban Landscapes and Architecture in Roman Antiquity. Advisor: Katherine Welch
Heather Kopleff, A Community in Stone: The ‘Cenotaph’ Stelae of Abydos. Advisor: David O'Connor
Andrew Larkin Farinholt Ward, Beyond Hellenization: Terracotta Ritual Furniture in Ancient Sicily. Advisor: Clemente Marconi
Matthew Worsnick, Ambivalent Lines: Urban and Architectural Appropriation in Contested Italo-Yugoslav Territories, 1918 - 1954. Advisor: Jean-Louis Cohen
2017
Peter Jonathan Bell, The Reinvention of the Bronze Statuette in Renaissance Italy: Presentation, Material, Facture. Advisor: Alexander Nagel
Kara Fiedorek, Priests of the Sun: Photography and Faith, 1860-1910. Advisor: Robert Slifkin
Matthew Hayes, What Burckhardt Saw: Restoration and the Invention of the Renaissance c.1855-1904. Advisor: Patricia Rubin
Sean Nesselrode, The Harvest of Modernity: Art, Oil, and Industry in the Venezuelan Twentieth Century. Advisor: Edward J. Sullivan
Tara Prakash, Statues of the ‘Other’: An Examination of Three-Dimensional Representations of Foreigners in Ancient Egypt. Advisor: David O'Connor
Blanca Serrano Ortiz De Solorzano, Between Limit and Possibility: Art in Cuba During the Special Period. Advisor: Edward J. Sullivan
Jason Andrew Vrooman, Crossing the Threshold: Nabi Depictions of Men in Public, Private, and Pretend Spaces. Advisor: Linda Nochlin
Allison K. Young, Torn and Most Whole': On the Poetics of Difference in the Art of Zarina Bhimji. Advisor: Thomas Crow
2016
Claire Rita Brandon, Spaces of Art in the Exhibition Age: Italy as a Laboratory for Global Exhibition Paradigms since 1970. Advisor: Alexander Nagel
Robert Scott Brennan, Painting as a Modern Art: The Era of Giotto. Advisor: Alexander Nagel
Kim Conaty, Mapping a Cultural Breakthrough: A Study of Avalanche Magazine (1970-76), the “New Forms of Art Making and Emerging International Networks." Advisor: Robert Slifkin
Marina Daiman, Rubens Remaking Rubens: Self-Repetition, Transformation, and Invention in Early Modern Art. Advisor: Mariët Westermann
Jennifer Field, The New York School and the Development of Avant-Garde Printmaking in the United States. ADvisor: Jeffrey Weiss
Marya Faith Fisher, Architecture of the Sacred Among the Western Greeks: The Non-Peripteral Temples of South Italy and Sicily. Advisor: Clemente Marconi
Joanna Hecker, Outside Looking In: Francisco de Holanda and the Margins of Renaissance Art. Advisor: Alexander Nagel
Stephanie Lynn Herdrich, John Singer Sargent: A ‘Modern Old Master’ and the Italian Renaissance. Advisor: Robert Slifkin
Amanda Kay Herrin, Narratives of Origin in Netherlandish Art: Maarten de Vos & Late Sixteenth-Century Print Design as Visual Exegesis. Advisor: Mariët Westermann
Marci S. Kwon, Vernacular Modernism: Joseph Cornell and the Art of Populism. Advisor: Thomas Crow
Brett Lazer, The New World, the Basque Language, and the Power of Painting: the Art and Writing of Baltasar de Echave Orio. Advisor: Jonathan Brown
Mark R Loiacono, Out From the Shadows: Andy Warhol’s Abstractions. Advisor: Thomas Crow
Rebecca Skafsgaard Lowery, Contingent Bodies: Art In and Around Los Angeles, 1969-75. Advisor: Thomas Crow
Jeremy J. Ott, Mortuary Practices in Late Antique Corinth. Advisor: Thelma Thomas
Jeongho Park, El Greco and the Art of Portraiture. Advisor: Jonathan Brown
Lindsay Anne Peterson, Building the Home Front: The Lanham Act and the Modernization of Housing in the United States. Advisor: Jean-Louis Cohen
Claire De Dobay Rifelj, Mediums and Messages: Collage and Narrative in Los Angeles in the 1960s and 1970s. Advisor: Thomas Crow
Susan Schafer, Rome Year Zero: Continuity in Post-World War II Architecture and Culture in Rome. Advisor: Jean-Louis Cohen
Lillian Stoner, Hair in Archaic and Classical Greek Art: An Anthropological Approach. Advisor: Clemente Marconi
Susanna Temkin, Un arte social y revolucionario (A Social and Revolutionary Art): Marcelo Pogolotti and the International Avant-Garde. Advisor: Edward J. Sullivan
Daniel Scott Williamson, Modern Architecture and Capitalist Patronage in Ahmedabad, India 1947 - 1969. Advisor: Jean-Louis Cohen
2015
Nora Abrams, Para-realism and the Early Sculpture of Rachel Whiteread. Advisor: Linda Nochlin
Birgitta Augustin, Painting Authenticity: Intersections in the Lives and Art of Zhang Yu, Huang Gongwang and Ni Zan. Advisor: Jonathan Hay
William Bracken, Rembrandt as Creative Inventor. Advisors: Eric Jan Sluiter and Mariet Westermann
Carolina Carrasco, The Lives of Working Objects: Functionalism and the Institution in the Archival “Readymades” of George Maciunas. Advisor: Robert Storr
Elizabeth Dospel Williams, Worldly Adornments: Women's Precious Metal Jewelry in the Early Medieval Eastern Mediterranean (9500-1100 CE). Advisor: Thelma Thomas
Galia Halpern, Open Geography and the Illuminated Mandeville's Travels. Advisor: Colin T. Eisler
Nina Harkrader, Building for the Poor and the Pauper: Architecture, Morality and Medical Models in Victorian England, 1850-1900. Advisor: Jean-Louis Cohen
Rachel Kaplan, Mexican Modernism in National and Transnational Contexts. Advisor: Edward Sullivan
Allyson McDavid, The Legacy of the Great Baths of Aphrodisias in Late Antiquity. Advisor: Thelma Thomas
Nicole Myers, Courbet and the Realist Nude. Advisor: Linda Nochlin
Berit Potter, "Grace McCann Morley and the Dialectical Exchange of Modern Art in the Americas, 1935 – 1958. Advisors: Thomas Crow and Edward J. Sullivan
David Jacob Rabinowitz, Public Construction: Christo and Jeanne-Claude's Running Fence. Advisor: Jeffrey Weiss
Delia Solomons, Installing Latin American Art for Cold War Culture: U.S. Exhibitions (1959-1967). Advisor: Edward Sullivan
Anna Swinbourne, Marvelous Spectacle: The Role of Ostend's benediction of the Sea in Selected Paintings and Drawings by James Ensor. Advisors: Robert Lubar and Priscilla P. Soucek
Michael Waters, Materials, Materiality, and Spolia in Italian Renaissance Architecture. Advisor: Marvin Trachtenberg
Shannon Wearing, Power and Style: The Liber Feudorum Maior and the Court of Alfonso II, King of Aragon and Count of Barcelona (r. 1162-1196). Advisor: Jonathan Alexander
2014
Joseph Ackley, 'Offer him gold; that is true love': Ottonian gold repoussé and the Western medieval church treasury. Advisor: Jonathan J. G. Alexander
William Ambler, The Portrait Workshop at the Court of Philip IIII of Spain. Advisor: Jonathan Brown
Jennifer Miyuki Babcock, Anthropomorphized Animal Imagery on New Kingdom Ostraca and Papyri: Their Artistic and Social Significance, Advisor: David O'Connor
Andrea Bell, French Artists in Rome: An Examination of Eighteenth-Century Drawing Albums. Advisor: Thomas Crow
Anna Katherine Brodbeck, Parallel Situations: Artur Barrio, Brazilian Art, and International Exchange in the Post-Studio Era (1969–1974). Advisor: Edward J. Sullivan
Lauren Cannady, Owing to Nature and Art: The Garden Landscape and the Eighteenth-Century French Interior. Advisor: Thomas Crow
Christopher Corradino, Giovanni Mansueti Painting in Venice. Advidor: Colin T. Eisler
Nicholas Herman, Jean Bourdichon (1457-1521): Tradition, Transition, Renewal. Advisor: Jonathan J. G. Alexander
Titia Hulst, Leo Castelli and the Market for American Contemporary Art. Advisor: Thomas Crow
Kenji Kajiya, Color-Field Painting in the Cultural Context of America. Advisor: Robert S. Lubar
Meggie Morris, Rediscovering Madrid through the Lens of Tourism: An Analysis of 'La Luna de Madrid,' 1983-1984. Advisor: Thomas Crow
Zhijian Qian, Modernism Re-oriented in a Chinese Context: Painting of Modernist Artiti in Wartime Chongqing, 1937-1945. Advisor: Jonathan Hay
Anooradha Siddiqi, Just Add Water? Architecture and Humanitarianism, 1991-2011. Advisor: Jean-Louis Cohen
Ileana Selejan, Postmodern Warfare in Images: The Aesthetics of War Photography in the Late 1970s and 1980s. Advisor: Thomas Crow
Jennifer Sudul, The Early works of Niki de Saint Phalle. Advisors: Robert Storr and Linda Nochlin
Julia Valiela, Model Women: Female Portrait Busts in Renaissance Italy. Advisors: Beverly Brown and Patricia Rubin
2013
Mark Abb, The Polychromy of Roman Marble Sculpture: Aphrodisias and Corinth. Advisor: Katherine Welch
Denise Birkhofer, On and Off the Streets: Photography and Performance in Mexico City, 1974-1984. Advisor: Edward J. Sullivan
Cathleen Chaffee, Decors: Marcel Broodthaers Late Exhibition Practice, 1974-75. Advisor: Robert Storr
Nathaniel Donahue, Decorative Modernity and Avant-Garde Classicism in Renoir's Late Work, 1892-1919. Advisor: Linda Nochlin
Jason Dubs, Making a Scene: The Colectivo Acciones de Arte, the Chilean Neo-Avant-Garde, and the Politics of Visibility, 1975-89. Advisor: Edward J. Sullivan
Rachel Federman, Framing Los Angeles: Artists’ Environments and Institutional Space, 1962-1994. Advisor: Thomas Crow
Ross Finocchio, Henry Clay Frick: The Making of an American Collector, 1880-1905. Advisor: Jonathan Brown
Maryl Gensheimer, Decoration and Display in the Imperial Thermae: Issues of Intention, Reception, and Visual Experience at the Baths of Caracalla. Advisor: Katherine Welch
Melanie Hanan, Romanesque Casket Reliquaries: Forms, Meanings, and Development. Advisor: Jonathan J.G. Alexander
Genevive Hendricks, Collision and Collusions: Interactions in Le Corbusier’s Art and Architecture, Purism and Beyond. Advisor: Jean-Louis Cohen
Joe Hill, Becoming Global: Contemporary Art Worlds in the Age of the Biennials Boom. Advisor: Robert Storr
Alison Hokanson, The Soul of Solemn: Places; The Interior Scenes of Henri de Braekeleer (1840-1888). Advisor: Linda Nochlin
Jai Imbrey, Fictive Frames in Mantegna’s Devotional Art. Advisor: Colin T. Eisler
Abby Kornfeld, Meanings in the Margins: Between Text and Image in the Barcelona Haggadah. Advisor: Jonathan J.G. Alexander
Matthew Levy, Abstract Painting and the Minimalist Critiques: Robert Mangold, David Novros, Jo Baer. Advisor: Robert Storr
Lihong Lui, A Known World: The Pictorial Construction of Place in the Art of Shen Zhou, Wen Zhengming, and Lu Zhi. Advisor: Jonathan Hay
Beth Merfish, Stars in Complex Constellations: Mexico City’s Taller de Gráfica Popular through Inside and Outside Histories. Advisor: Edward J. Sullivan
Elizabeth Monti, Art for an Antipope at the Court of Clement VII (1378-1394). Advisor: Jonathan J.G. Alexander
Judith Noorman, The Unconventional Career of Jacob van Loo (1614-70), Painter in Amsterdam and Paris. Advisor: Mariët Westermann
Rory O’Dea, Science Fiction and Mystic Fact: Robert Smithson’s Ways of World Making, Advisor: Robert Storr
Alexander Rich, Artist or Critic: Guy Pène du Bois and the Search for Artistic Identity. Advisor: Linda Nochlin
Lindsey Schneider, The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650. Advisor: Jonathan Brown.
Deanna Sheward, Building for the Bomb: Monumentality and the Manhattan Project. Advisor: Thomas Crow
Hannah Sigur, Neoclassicism and National Identity: Japan, the United States, and International Expositions 1862-1915. Advisor: Jean Louis Cohen
Denise-Marie Teece, Vessels of Verse, Ships of Song: Persian Anthologies of the Qara Quyunlu and Aq Quyunlu Perod. Advisor: Priscilla Soucek
Rosemarie Trentinella, The Roman Villa in Calabria: Case Studies in Visual Culture. Advisor: Katherine Welch
Derek Weiler, Serial Aesthetics and the Concept of Technique: Mel Bochner and the 1960s. Advisor: Jeffrey Weiss
Michelle Anne Wijegoonaratna, Tradition, Innovation and the Construction of Identity in Otto Dix’s Portraits and Self-Portraits 1912-1925. Advisor: Robert S. Lubar
2012
Guendalina Ajello, Afterlives: The Reuse, Adaptation and Transformation of Roma’s Ancient theaters. Advisor: Marvin L. Trachtenberg
Liam Considine, New Realisms: Pop Art in France, 1962-1968. Advisor: Thomas Crow
Isabel Fowkles, The Cults of Syrian-Phoenician Gods in Rome: Archaeology, Topography, and Connections to the Roman East. Advisor: Clemente Marconi
Ana Franco, Edgar Negret and Eduard Ramirez-Villamizar: Transnational Encounters and the Rise of Modernism in Colombian Art, 1944-1964. Advisor: Edward J. Sullivan
Casey Gardonio-Foate, Professional Women Artists of Iberia’s Golden Age: Careers in Context. Advisor: Jonathan Brown
Sarah Graff, Humbaba/Huwawa. Advisor: Katherine Welch
Erik Gustafson, Tradition and Renewal in the Thirteenth-Century Franciscan Architecture of Tuscany. Advisor: Marvin L. Trachtenberg.
Karen Hung, Carved Elegance: Hans Thoman, German Renaissance Sculptor. Advisor: Colin T. Eisler
Lauren Jacobi, The Topography of Money: The Architecture and Urbanism of Banks in Renaissance Italy. Advisor: Marvin L. Trachtenberg
Danielle Johnson, Salvador Dalí and René Magritte, 1928-1938. Advisor: Robert S. Lubar
Ronda Kasl, The Making of Hispano-Flemish Style: Art, Commerce, and Politics in Fifteent-Century Castille. Advisor: Egbert Haverkamp-Begemann
Laura Leaper, Time, Memory and Ritual: deciphering visual rhetoric in Diego Valades’ Rhetorica Christiana. Advisor: Jonathan Brown
Yulin Lee, Strategies of Spatialization in the Contemporary Art Museum: An Exploratory Study of New Museums and Contemporary Art in Japan. Advisor: Jean-Louis Cohen
Niria E. Leyva-Gutierrez, Painting Power: Images of Ecclesiastical Authority in Seventeenth-Century New Spain. Advisor: Jonathan Brown
Sarah Madole, Innovation and Identity on Mythological Frieze Sarcophagi from Roman Asia Minor. Advisor: Katherine Welch
Michele Matteini, Painting in the Age of Evidential Scholarship (Kaozheng): Luo Ping’s Late Years, ca. 1770-1799. Advisor: Jonathan Hay
Sarah Montross, Cartographic Communication: Latin American New Media Artists in New York, Juan Downey and Jaime Davidovich (1960s-1980s). Advisor: Edward J. Sullivan
Adele Nelson, The Monumental and the Ephemeral: The São Paulo Bienal and the Emergence of Abstraction in Brazil, 1946-1954. Advisor: Edward J. Sullivan
Lelia Packer, Imitation and Innovation in Materials in Early Modern Northern European Art: Pen Prints, Pen Drawings, and Pen Paintings, c. 1580-1670. Advisor: Mariët Westermann
Maggie Popkin, The Trimphal Route in Republican and Imperial Rome: Architecture, Experience, and Memory. Advisor: Katherine Welch
Jennifer Udell, Times of Day and Times of Year on Athenian Vases. Advisor: Clemente Marconi
Kathryn Wysocki, Images for the King: The Bronze Plaques of the Benin Court in their Architectural Context. Advisor: Jonathan Hay
2011
Qamar Adamjee, Strategies for Visual Narration in the Illustrated Chandayan Manuscripts. Advisor: Priscilla Soucek
Esther Bell, Charles-Antoine Coypel: Painting and Performance in Eighteenth-Century France. Advisor: Jonathan Brown
Johanna Blokker, (Re) Constructing Identity: World War II and the Reconstruction of Cologne’s Destroyed Romanesque Churches, 1945-1985. Advisor: Jean-Louis Cohen
Michael Brown, Portraiture in New Spain, 1600-1800: Painters, Patrons and Politics in Viceregal Mexico. Advisor: Jonathan Brown
Luis Castaneda, The Twilight of the Miracle: The Politics of Architecture in Mexico, 1953-1968. Advisors: Jean-Louis Cohen and Edward J. Sullivan
Amy Calver, The Integration of Quantitative and Qualitative Research in a Study of the Regalia of Ramses III. Advisor: David O’Connor
Jacquelyn Coutre, Jan Lievens: Painting, Politics and Decoration in Dutch Art, 1653-1669. Advisor: Egbert Haverkamp-Begemann
Vanessa Davidson, Paulo Bruscky and Edgardo Antonio Vigo: Pioneers in Alternative Communication Networks, Conceptualism, and Performance (1960s-1980). Advisor: Edward J. Sullivan
Keely Heuer, The Head as a Decorative Motif in South Italian Vase Painting. Advisor: Joan Mertens
Pamela Huckins, Art in the Alta California Mission Churches, 1769-1834. Advisor: Jonathan Brown
Maile Hutterer, Broken Outlines and Structural Exhibitionism: the Flying Buttress as Aesthetic Choice in Medieval France. Advisor: Marvin L. Trachtenberg
Matthew Israel, Paradigms of Protest: American Artists Against the Vietnam War. Advisor: Robert Storr
Anna Jozefacka, Rebuilding Warsaw: Conflicting Visions of a Capital City, 1916-1956. Advisor: Jean-Louis Cohen
Yumiko Kamada, Flowers on Floats: The Production, Circulation, and Reception of Early Modern Indian Carpets. Advisor: Priscilla Soucek
Lauren Kinnee, The Roman Trophy: From Battlefield Marker to Emblem of Power. Advisor: Katherine Welch
Cheryl Korte, Plychromed Quattrocento Sculpture in Florence. Advisor: Colin T. Eisler
Jonathan Lackman, Art-Critical Invective in Paris: 1844-1876. Advisor: Linda Nochlin
Heather McCarthy, Queenship, Cosmography, and Regeneration: The Decorative Programs and Architecture of Ramesside Royal Women’s Tombs. Advisor: David O’Connor
Kathryn Moore, Italian Copies of Holy Land Architecture: The Illustrated Versions of Niccolò da Poggibonsi’s Libro d’Oltramare.
Heather Turnbow, Sacrophagi and Funerary Display in Roman Aphrodisias. Advisor: Katherine Welch
Jessica Veith, Memorializing the Past: Jan de Bray and the Construction of Identity in Seventeenth-Century Haarlem. Advisor: Mariët Westermann
2010
Marta Ameri, Sealing at the Edge of the third Millennium Middle Asian Interaction Spheres: The View from Gilund, Rajasthan, India. Advisor: Colin T. Eisler
Jamieson Donati, Towards an Agora: The Spatial and Architectural Development of Greek Commercial and Civic Space in the Peloponnese. Advisor: Clemente Marconi
Lindsay Harris, Picturing the ‘Primitive’: Photography, Architecture, and the Construction of Italian Modernism, 1911-1936. Advisor: Jean-Louis Cohen
Heather Horton, Authority and Innovation in Alberti’s Theory and Practice. Advisor: Marvin L. Trachtenberg
Anne Hrychuk, From Fornix to Arcus: The Origins, Development and Imperial Transformation of the Freestanding Roman Arch (196 BCE to 54 CE). Advisors: Katherine Welch and Priscilla Soucek
Lorraine Karafel, Raphael’s all’antica Tapestries for Pope Leo X: Art, Culture, and Politics in Early Sixteenth-Century Rome. Advisor: Colin T. Eisler
Abigail McEwen, The Practice and Politics of Cuban Abstraction, c. 1952-1963. Advisor: Edward J. Sullivan
Margaret Samu, The Female Nude in Nineteenth-Century Russian Art: A Study in Assimilation and Resistance. Advisor: Linda Nochlin
Eve Straussman-Pflanzer, Felsine Pittrici: The Women Artists of Early Modern Bologna. Advisor: Linda Nochlin
Lori Waxman, A Few Steps towards a Revolution of Everyday Life: Walking with the Surrealists, the Situationist International, and Fluxus. Advisor: Thomas Crow
Institute Dissertations and Theses
Completed Dissertations
MA Theses
Conservation Center Theses
Resources for submitting dissertations
Contact the Institute
Building Hours
Contact Information
If you wish to receive information on our upcoming events, please subscribe to our mailing list.