News

October 1, 2024

Opening Today Five Decades of Chicane Muralism in Los Angeles, 1972-2019 an IFA and NYU Center for the Humanities Digital Exhibition

Judithe Hernández, Homenaje a las Mujeres de Aztlán, 1976. Mural at the Ramona Gardens Housing Project, Los Angeles. Photo credit: Ruben Diaz

The Institute of Fine Arts and NYU Center for the Humanities are pleased to announce a digital exhibition, Five Decades of Chicane Muralism in Los Angeles, 1972-2019. The Digital Seed Grant initiative brings together six works of public art made in Los Angeles by an intergenerational group of Chicane artists, including one artist born in Guatemala, in the digital space for the first time. At heart, the show follows the evolution and expansion of muralism as a community-driven mode of artistic production that has been integral to the formation of Chicane visual and cultural identity. On freeway underpasses, prominent thoroughfares, buildings, community centers, bars, and commercial venues, the visual artists in this exhibition have taken hold of outdoor spaces and walls as a platform for political activism, social commentary, and identity formation. This cohort, including Asco, Barbara Carrasco, Yreina Cervántez, rafe esparza and Gabriela Ruiz, Judithe Hernández, and Timoi, work across media, from painting and drawing to performance, installation, and digital art. Yet, each has experimented with and seriously engaged the large-scale mural to celebrate and empower, in addition to levying social critique and amplifying activist causes.

A driving force for many of these mural projects follows the call to examine the lived experience of Brown individuals—how inequalities stemming from settler colonialism manifest in the citywide dynamics of police brutality, education disparities, economic disenfranchisement, and labor exploitation. At the same time, murals afforded space for these artists to depict and dictate their communities and ancestral stories in their own terms, adding complexity to reductive visions of Chicane Los Angeles, the largest concentration of Mexicans in the United States. Thematically, the exhibited murals center and pay homage to women (historic, mythological, and invented), while also honoring those marginalized for their sexual and gender identities. In the words of one of the participating artists, Judithe Hernández: “We made the conscious decision to design murals dedicated to women in response to all the male-dominated subject matter of most Chicano murals of the era.”

August 8, 2024

Opening Today “Five Decades of Chicane Muralism in Los Angeles, 1972-2019” an IFA and NYU Center for the Humanities Digital Exhibition

Rosa Lowinger and Karen Thomas join the Conservation Center of the IFA

The Conservation Center of the Institute of Fine Arts will welcome Rosa Lowinger and Karen Thomas as the 2024–2025 Judith Praska Visiting Distinguished Professors in Conservation. Lowinger is the Founder and Co-Chief Conservator of RLA Conservation and has over 30 years of experience as a conservator of sculpture, contemporary art, and historic buildings. Thomas is the sole proprietor of her private conservation studio, Thomas Art Conservation LLC, specializing in the treatment of Old Masters and 19th-Century paintings for private collectors, small institutions, and the art market. Lowinger and Thomas will teach in the fall 2024 and spring 2025 semesters, respectively.

Now in its twelfth year, the Judith Praska Distinguished Visiting Professorship has brought twenty-one scholars to the Institute since 2012. Funded by an anonymous donor, the professorship recognizes preeminent conservation professionals who bring new viewpoints of teaching and research to the Institute’s program in conservation.

This fall Lowinger will teach a seminar on the conservation of outdoor public art and will examine a broad range of artwork types in New York City and the Hudson Valley with the students, including freestanding sculpture, tile murals, and mosaics. Thomas has co-authored the retouching chapter of the textbook, Conservation of Easel Paintings: Principles and Practice, a standard reference work for the field. It is this topic that will serve as the focus for her spring course on retouching techniques for conservators. Both will deliver public lectures during their tenure.

“We are thrilled that Rosa and Karen will be joining us at the Institute for the coming academic year. We look forward to enriching the course offerings for our students through the mastery of their technical expertise and hands-on practical experiences. It is an honor to have Praska visiting scholars who contribute significantly to our world-class training in fine art conservation,” notes Professor Joan Kee, Judy and Michael Steinhardt Director of the Institute of Fine Arts.

“Rosa’s welcoming personality and depth of knowledge will provide invaluable training for our students who do not often have the opportunity to focus on public works of art,” says Professor Michele D. Marincola, Sherman Fairchild Distinguished Professor of Conservation and Co-Chair of the Conservation Center. “Karen’s vast experience in retouching techniques will be greatly appreciated by our talented students who relish learning new essential skills. We look forward to welcoming these gifted conservators into our community and stand to gain a great deal from their time with us.”

Portrait of Rosa Lowinger by Scarlett Freund

Rosa Lowinger is a Cuban-American art conservator specializing in sculpture, monuments, integral architectural artworks and contemporary art. She is a 1982 conservation graduate of the IFA, and the founder of RLA Conservation, LLC, a practice with offices in Los Angeles and Miami. Lowinger is a Fellow of the American Institute for Conservation, the Association for Preservation Technology, and the American Academy in Rome (FAAR 2009). As a conservator who writes regularly for general audiences, her books: Tropicana Nights: The Life and Times of the Legendary Cuban Nightclub (Harcourt: 2006), Dwell Time: A Memoir of Art, Exile, and Repair (Row House: 2023) and Promising Paradise: Cuban Allure, American Seduction (Wolfsonian, 2016) also delve into the history of vandalism, Cuban culture and history, and how conservation serves as a metaphor for personal and societal healing. Lowinger publishes regularly on conservation of outdoor painted sculpture, graffiti murals, modern concrete, and strategies for disaster mitigation and recovery.

Karen Thomas is a paintings conservator working in private practice in New York City, specializing in the care of Old Master and 19th Century paintings, and a Professional Associate of the American Institute for Conservation. After graduating from the School of Visual Arts with a BFA in Fine Arts, Thomas worked for a decade as a graphic designer, but discovered her true passion in conservation, pursuing her graduate degree at NYU’s Institute of Fine Arts Conservation Center. Hired by The Metropolitan Museum of Art upon graduation, she restored and studied numerous paintings in the European Paintings and American Wing collections, as well as for the Frick Collection, and contributed the technical notes to the MMA’s Early German Paintings catalog. In addition to publishing various technical essays on Old Master paintings, she is the co-author of the retouching chapter of the textbook, Conservation of Easel Paintings: Principles and Practice. Thomas is honored and delighted to be returning to the IFA to share her knowledge about retouching with the students of the Conservation Center.

June 27, 2024

Joan Kee Named Judy and Michael Steinhardt Director of the Institute of Fine Arts, NYU

Photo by Ross Anthony.

NYU President Linda G. Mills and Provost Georgina Dopico have announced the appointment of Joan Kee as the Judy and Michael Steinhardt Director of the New York University Institute of Fine Arts (IFA), effective August 19, 2024.

A respected scholar of modern and contemporary art of Asia and the United States, Kee is a professor of the history of art at the University of Michigan-Ann Arbor and holds a law degree from Harvard and a PhD from the IFA.

June 4, 2024

National Endowment for the Humanities Awards $150K to the Conservation Center  to Strengthen Fine Arts Conservation Education at NYU

The Division of Preservation and Access of the National Endowment for the Humanities has awarded $150,000 to the Conservation Center of the Institute of Fine Arts, New York University, to support the project “Preserving Living Traditions: Strengthening Conservation Education at NYU.” In addition to these outright grant funds, the NEH will match up to $150,000 raised from third-party donations for a total of $450,000 in combined federal and third-party funding.

 NEH funds will aid the Conservation Center in training the next generation of art conservators. Over the next three years, the “Preserving Living Traditions” project will strengthen the conservation education program at NYU by providing graduate students with fellowship stipends, summer work placements, and instruction from the foremost leaders in the field. Specialized coursework at the Conservation Center and summer placements will focus on transferring conservation skills and knowledge at risk of loss as we expand the curriculum with pressing new fields of study.

May 29, 2024

The Institute Announces Gift to Endow a Valeria Napoleone Linda Nochlin Professorship and Fellowship in Modern and Contemporary Art

Christine Poggi, Judy and Michael Steinhardt Director of the Institute of Fine Arts, is pleased to announce the establishment of the Valeria Napoleone Linda Nochlin Professorship and Fellowship in Modern and Contemporary Art, made possible by the visionary generosity of Valeria Napoleone, Trustee of the Institute of Fine Arts, and her husband, Gregorio Napoleone, Trustee of New York University.

Linda Nochlin in front of Philip Pearlstein’s Portrait of Linda Nochlin and Richard Pommer from 1968.

This transformative gift was given in honor of Linda Nochlin who was undoubtedly the most influential art historian of her generation. Her writings raised new critical questions and forged feminist approaches to the study of art that continue to illuminate our understanding of the history and achievements of women artists from the past to the present day. Nochlin received her PhD from the Institute of Fine Arts in 1963 with a dissertation on Gustave Courbet, and she went on to become a highly esteemed scholar of modern and contemporary art. She taught at Vassar College, Yale University, and eventually returned to the Institute of Fine Arts, where she held the Lila Acheson Wallace Chair of Modern Art. A bold and original thinker, she wrote important studies of the work of Courbet, Gericault, Renoir, and Seurat, as well as of many contemporary feminist and realist artists, including Joan Mitchell, Kiki Smith, Louise Bourgeois, and Sarah Lucas. One of her most famous essays, “Why Have There Been No Great Women Artists?” published in 1971 in ARTnews, galvanized a sea change in the way art historians conceived the notion of genius, bringing critical attention to the social structures that led to the absence of women from the highest ranks of artistic accomplishment. Her work continued to astonish, provoke, and challenge all of us in the years that followed. All of the students who had the privilege of studying with Nochlin affirm that she had a profound effect on their lives. Although she retired in 2013 after many years committed to the training of future scholars, her work continues to resonate through that of her students. Therefore, it is fitting that along with this new professorship the Napoleones have also endowed a PhD fellowship for students studying Modern and Contemporary art under the direction of the Valeria Napoleone Linda Nochlin Professor.

Portrait of Catherine Quan Damman

Director Poggi is also pleased to announce that the first incumbent of this newly established faculty position will be Catherine Quan Damman. At the Institute, Quan Damman currently offers courses and advises graduate students on topics in feminist and queer theoretical approaches to global modern and contemporary art. Her first book, Performance: A Deceptive History, is under advance contract with Princeton University Press. Her research has been supported by the American Council of Learned Societies (ACLS), the Terra Foundation for American Art, the Getty Research Institute, and the Center for Advanced Studies in the Visual Arts (CASVA) at the National Gallery of Art, Washington, D.C. Previously, she taught at Wesleyan University and Columbia University. An active critic, her writing can be found in Artforum, Bookforum, BOMB, 4Columns, Frieze, and other publications. Quan Damman will begin her tenure-track position as the Valeria Napoleone Linda Nochlin Professor; Assistant Professor in Modern and Contemporary Art at the Institute of Fine Arts on September 1, 2025.

April 30, 2024

The Institute Appoints New Faculty

The Institute of Fine Arts, NYU is pleased to announce the appointment of Lisa Conte and Anthony Meyer to the faculty. Lisa Conte will join the faculty as Assistant Professor of Paper Conservation at the Conservation Center of the Institute of Fine Arts beginning on September 1, 2024. Anthony Meyer has accepted the position of Assistant Professor at the Institute of Fine Arts and will begin on September 1, 2025.

Lisa Conte is a paper conservator specializing in modern and contemporary art on paper, with an additional focus on the material culture of traumatic events. She is currently the Visiting Associate Professor of Paper Conservation at New York University’s Institute of Fine Arts. Previously, Lisa led conservation efforts at the 9/11 Memorial & Museum (2017-2022) and held roles at The Metropolitan Museum of Art and The Whitney Museum of American Art. She received her MA in Art History, along with an Advanced Certificate in Conservation from New York University. Her research, employing both materials- and social history-based approaches, spans a diverse range of subjects, including the technical study of late 19th-century lithographic prints, Émile Gilliéron’s watercolors of ancient Greek sculptures, and printed ephemera from periods of war and social unrest. Lisa has also notably contributed to the field of conservation ethics, with publications focusing on the care and handling of artifacts bearing World Trade Center dust and the archaeological remains of the original site. Her current research includes studying the technical aspects of Hedda Sterne’s collage work. Lisa is a fellow of the International Institute for Conservation of Historic and Artistic Works.

February 23, 2024

The Institute of Fine Arts mourns the passing of Pope.L, acclaimed artist, beloved art teacher, and former member of our Board of Trustees.

He died unexpectedly on December 23, 2023, at his home in Chicago at the age of 68.

Pope.L’s artistic practice traversed disciplinary boundaries to embrace performance, photography, painting, sculpture, theatre, and writing. He is perhaps best known for his provocative “crawls” through the streets of New York and Lewiston, Maine in a business suit or Superman costume, enacting the precarious state of those who have been marginalized owing to race and economic circumstances. A version of this performance series, ironically titled Conquest, took place in 2019, with 140 volunteers crawling through the Washington Square area blindfolded while holding a flashlight. This and other works were included in a trio of complementary exhibitions in 2019. The Whitney Museum of American Art presented Choir, the Museum of Modern Art staged Member, and the Public Art Fund organized Conquest. Other well-known works include Eating the Wall Street Journal of 1991, in which the artist slowly ate the pages of the Journal while sitting on a toilet and swallowing milk (an emblem of whiteness) and ketchup (emblem of blood), and the project Black Factory begun in 2003, for which he solicited objects that contributors believe represent blackness. The assembled objects constituted an archive that included personal mementos but also revealed racist stereotypes. Most of his works directly addressed issues of racism, prejudice, class, and injustice, with unflinching actions and texts that involved audience participation and startled us into thinking. According to Professor Darby English, one of Pope.L’s colleagues at the University of Chicago, “he thought a lot about ‘a lack worth having,’ and then created unceasingly out of that thinking.”

February 12, 2024

The Institute of Fine Arts to present Maia Ruth Lee: Once we leave a place is it there

Maia Ruth Lee, B.B.M.2-14, 2023, 44 x 66 inches, ink on canvas. Courtesy of Tina Kim Gallery and the artist. Photo by Hyunjung Rhee.

The Institute of Fine Arts is pleased to present Once we leave a place is it there, a solo exhibition featuring new work by artist Maia Ruth Lee (b.1983, Busan, South Korea). The Spring 2024 iteration marks the return to in-person exhibitions since the start of the pandemic and proudly continues the Institute’s Great Hall Exhibition series’ commitment to celebrating the practices of exemplary women artists. The exhibition is especially animated by the goal of highlighting the practices and scholarship of women of color both within and beyond the field of art history. Public programming will prioritize academic and artistic dialogues on the topics of migration, diaspora, and decolonization.

February 1, 2024

The Institute of Fine Arts to present Magali Lara: Interior Landscapes

Magali Lara, Reproducir, repertirse (serie Proliferacion), 1990, Acrylic on canvas. Image courtesy of the Institute for Studies of Latin American Art (ISLAA), New York.

Duke House Exhibition Series Spring 2024

Magali Lara: Interior Landscapes
Opening: Friday, February 16, 6:00pm
On View: February 16 to May 16, 2024
Public Programming: Wednesday, April 10, 6:00pm, A Conversation with Magali Lara and Dr. Madeline Murphy Turner

The Institute of Fine Arts announces the opening of its spring exhibition, Magali Lara: Interior Landscapes, on view in The James B. Duke House from February 16 to May 16, 2024. Encompassing work from the 1970s to the 1990s, the exhibition presents four major paintings by Magali Lara, one of Mexico's most important living artists, highlighting her interior landscapes as acts of reclamation and healing. Her early domestic spaces grapple with memories of her childhood and the misogyny that surrounded her, while her later abstract works confront her personal experiences with grief and, simultaneously, consider the relationship between humans and the natural environment. Through her work, Lara contests the traditional expectations of women in Mexican society and proposes new avenues for expressing desire and recuperation. The exhibition is curated by Angelina Medina, Giovanni Falcone, Katie Svensson, and Vivian Wu.

December 18, 2023

The Institute of Fine Arts Appoints Esther da Costa Meyer as the Kirk Varnedoe Visiting Professor for Spring 2024

The Institute of Fine Arts is pleased to announce that Esther da Costa Meyer will join the Institute in the 2024 spring semester as the Kirk Varnedoe Visiting Professor. The Varnedoe professorship was established in 2006 to honor the memory of Kirk’s dedication and innovation as a teacher, mentor, and scholar. Kirk vigorously maintained these roles at the Institute of Fine Arts as a beloved member of the faculty, at the Museum of Modern Art as a legendary curator, and then as a senior scholar at the Institute for Advanced Study. The Kirk Varnedoe Visiting Professorship and lecture have been endowed through the generosity of Kirk’s many friends, colleagues, and students who were inspired by his work.

November 3, 2023

The Institute of Fine Arts Announces Two Judith Praska Visiting Professors in Conservation for 2023-24

Pamela Hatchfield and Jen Munch join the Conservation Center

The Conservation Center of the Institute of Fine Arts welcomed Pamela Hatchfield as the 2023–2024 Judith Praska Visiting Distinguished Professor in Conservation & Technical Studies and Jen Munch, a modern and contemporary paintings conservator, as the Spring 2024 Judith Praska Visiting Assistant Professor of Conservation.

Now in its eleventh year, the Judith Praska Distinguished Visiting Professorship has brought nineteen scholars to the Institute since 2012. Funded by an anonymous donor, the professorship recognizes preeminent conservation professionals who bring new viewpoints of teaching and research to the Institute’s program in conservation. This fall Hatchfield is teaching a course entitled “Transferable Skills in the Treatment of Objects and Sculpture.” In the spring, Munch will teach “Imaging for Conservators: Essential Documentation Skills,” a course focused on photographic documentation.

August 9, 2023

The Institute of Fine Arts mourns the passing of Jean-Louis Cohen, our friend and colleague, a brilliant scholar, curator, critic, and teacher.

Jean-Louis, 74, passed away at his summer home in Ardèche, France, as the result of an allergic reaction to a bee sting, on August 7, 2023.

Jean-Louis Cohen brought an unparalleled breadth of knowledge to his study of architecture and its urban context, writing important books and essays and curating exhibitions on architects and cities across the globe. He was one of the world’s foremost experts on Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Robert Venturi, and Frank Gehry, among others. He was also especially known for his work on the American influence on Russian modern architecture. His catalogue, Building a new New World: Amerikanism in Russian Architecture, received the 2023 exhibition catalogue award of the Society of Architectural Historians. Just this summer, he opened an exhibition titled Paris Moderne 1914-1945 (with architect Pascal Mory and fashion curator Catherine Örmen and co-wrote the exhibition catalogue with Guillemette Morel Journel) at the Power Station of Art in Shanghai, and another on the Brazilian architect Paulo Mendes da Rocha at the Casa da arquitectura, in Matosinhos, Portugal (with Vanessa Grossman). His co-edited volume on the commission, history, décor, and renovations of the James B. Duke House (current home of the Institute of Fine Arts, NYU), titled Duke House and the Making of Modern New York: Lives and Afterlives of a Fifth Avenue Mansion appeared in 2023 (with Daniella Berman and Jon Ritter).

June 12, 2023

New Faculty Appointed to the Institute

The Institute of Fine Arts, NYU is pleased to announce the appointment of Emmelyn Butterfield-Rosen and Erich J. Kessel to the faculty beginning on September 1, 2023. Emmelyn Butterfield-Rosen will join the faculty as Assistant Professor of Nineteenth-Century European Art and Erich J. Kessel as Assistant Professor of African American and Black Diaspora Arts.

March 31, 2023

The Conservation Center Announces Appointment of Matthew Hayes as Assistant Professor of Paintings Conservation

The Conservation Center of the Institute of Fine Arts, NYU is pleased to announce the appointment of Matthew Hayes as Assistant Professor of Paintings Conservation at the Conservation Center effective September 1, 2023. In his new position Professor Hayes will teach and mentor conservation and art history students, help direct the Kress Program in Paintings Conservation with Professor Emerita Dianne Modestini and serve as Co-Chair of the Conservation Center with Professor Michele Marincola.

Matthew Hayes is a paintings conservator based in New York, where currently he is Kress Postdoctoral Associate in Paintings Conservation and Institute Lecturer at the Conservation Center, Institute of Fine Arts, New York University and directs the Pietro Edwards Society for Art Conservation. He previously worked at the Atelier Gerhard Walde and the Collections of the Prince of Liechtenstein and was a fellow at the Kunsthistorisches Museum, all in Vienna. Hayes holds a BA in art history from Cornell University, and MA and PhD degrees in art history and an Advanced Certificate in Conservation from the Institute of Fine Arts. He has published on conservation theory, philosophy, history, and the painting technique of Italian Renaissance artists. His book The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-century Europe appeared in 2021.

March 13, 2023

The Institute to Present Estelio by Mónica Félix

Mónica Félix, Alláfuera. Still from video performance. Courtesy of the artist.

Estelio will incorporate both in-person and virtual experiences, including the online exhibition launch on March 24, and two public programs.

The Institute of Fine Arts is pleased to announce its spring exhibition, Estelio, featuring work past and present of Puerto Rican artist Mónica Félix. As part of the Great Hall Exhibition series, the exhibition continues a commitment to celebrating the practices of exemplary women artist and is the third in the series to take place online. Fluid like the sea from which Félix draws much of her inspiration, the exhibition will incorporate both in-person and virtual experiences, including the online exhibition launch on March 24 and two public programs. The exhibition will be on view on the Institute’s website from March 24 – June 23. 

January 17, 2023

The Institute to Present Feliciano Centurión: Telas y Textos

Feliciano Centurión, Febo Asoma, 1990-1993, Mixed media. Image courtesy: Estate of Feliciano Centurión and Institute for Studies on Latin American Art (ISLAA), New York.

Duke House Exhibition Series Spring 2023
Opening: Monday, February 6, 2023
Public programming to be announced shortly.

The Institute of Fine Arts is pleased to present Paraguayan artist Feliciano Centurión’s third solo exhibition in the United States. Curated by Diana Cao, Tatiana Marcel, and Nicasia Solano, Feliciano Centurión: Telas y Textos provides an opportunity to examine the aesthetic and material interplay of text, fabric, and found objects in his oeuvre. The exhibition will be on view at the Institute of Fine Arts’ James B. Duke House from February 6 – May 19, 2023.

October 5, 2022

The Institute of Fine Arts at New York University mourns the death of David O’Connor, Director Emeritus of Abydos Archaeology and Lila Acheson Wallace Professor Emeritus of Ancient Egyptian Art on October 1, 2022. He was 84 years old.

David O’Connor earned his BA in 1959 from the University of Sydney, where he studied Neolithic and Bronze Age Cyprus, a Diploma in Egyptology from University College London in 1962, and a PhD in 1969 from the University of Cambridge with a dissertation on the art and material culture of ancient Nubia (upstream from Egypt). His interest in Nubia, Egypt, and the Eastern Mediterranean allowed him to enlarge the traditional focus on Egypt to encompass Nubia’s distinctive non-literate cultural artefacts, often employing anthropological methods. His work led to more dynamic and complex models of cultural exchange in this region.

At the University of Pennsylvania, where he taught in the Department of Oriental Studies and served as Curator-in-Charge of the Egyptian Collection at the Penn Museum, O’Connor conducted research on both Nubia and Egypt, organized the Excavations at Abydos in Southern Egypt, and served as an inspiring teacher and mentor. He joined the faculty of the Institute of Fine Arts in 1995, where he enjoyed the impetus, driven by his students, to think more deeply about works of art and architecture. He retired in 2017. A selective list of his many publications includes Ancient Nubia: Egypt’s Rival in Africa (1993), and the edited volumes: Ancient Egyptian Kingship (with David P. Silverman, 1995); Ancient Egypt in Africa (with Andrew Reid, 2003); and Mysterious Lands: Encounters with Ancient Egypt (with Stephen Quirke, 2003). He authored a monograph on the earliest Egyptian settlement in Nubia, The Old Kingdom Town at Buhen (2014), and co-edited substantial books on Thutmosis III, Amenhotep III, and Ramesses III (with Eric Cline). He also published Abydos: Egypt’s First Pharaohs and the Cult of Osiris (2009). He was interested in a broad range of topics and artefacts, from the material culture of Nubia and Egypt, to their artistic works—including lesser studied royal palaces—to Egyptian concepts and practices of sexuality.

David O’Connor’s passing is a great loss to the greater community of archaeologists and scholars of Nubian and Egyptian antiquity, and to his many colleagues, students, and friends. We send our deepest condolences to his wife, Gülbün O’Connor, his daughters Aisha and Katie, and his numerous grandchildren.

Christine Poggi
Judy and Michael Steinhardt Director
The Institute of Fine Arts, New York University

July 15, 2022

Conservation Center Receives $1M Grant from Mellon Foundation in Support of Time-Based Media Art Conservation Education

The Conservation Center of the Institute of Fine Arts, NYU, has ben awarded a $1 million grant from the Mellon Foundation for the four-year project Actualization of Time-based Media Art Conservation Education and Training. This project will strengthen its already advanced program in this unique specialization, the only one of its kind in the U.S. The grant will support graduate student fellowships in time-based art conservation, summer internships for students to work at museums locally and globally, researchers and faculty to teach and supervise student progress, public lectures promoting the field, and workshops for mid-career professionals.

Established in 2016 with a development grant from the Mellon Foundation, the Conservation Center's curriculum in time-based media art conservation was designed to address the changing field of contemporary art conservation, as artists increasingly use unconventional components, including sound, performance, light, or movement that unfold over time via slide, film video, software, or the internet. Preserving these works presents particular challenges given their conceptual nature and use of components that extend well beyond traditional art materials.

June 28, 2022

Conservation Center Appoints Bertrand Lavédrine as Judith Praska Distinguished Visiting Professor for the Academic Year 2022-2023

The Conservation Center of the Institute of Fine Arts, NYU will welcome Bertrand Lavédrine as the 2022–2023 Judith Praska Visiting Distinguished Professor in Conservation & Technical Studies. Dr. Lavédrine is a professor at the National Museum of Natural History, part of the Sorbonne University Alliance, and a scientist at Center for Research in Conservation in Paris. He is an internationally recognized expert in the chemistry and preservation of photographs and the author of several books and articles on historical processes. Dr. Lavédrine will teach in the fall 2022.

Now in its tenth year, the Judith Praska Distinguished Visiting Professorship has brought eighteen scholars to the Institute since 2012. Generously funded by an anonymous donor, the professorship recognizes preeminent conservation professionals who bring new areas of teaching and research to the Institute’s program in conservation. Dr. Lavédrine will teach a course entitled Research & Communication in Conservation & Science and will deliver a public lectures during his tenure.

Professor Christine Poggi, Judy and Michael Steinhardt Director of the Institute of Fine Arts, noted, “This is an outstanding appointment for the Institute, and it will be an honor to host Dr. Lavédrine in the coming year. We look forward to enriching our course offerings with his expertise and continuing our world-class teaching and research in fine art conservation.”

Professor Michele D. Marincola, Sherman Fairchild Distinguished Professor of Conservation and Chair of the Conservation Center remarked, “Bertrand’s knowledge of chemistry and its applications in a range of preventive conservation contexts will fill an important role in our curriculum. His teaching experience, warm and welcoming personality, and depth of knowledge will be greatly appreciated by our community.”

Bertrand Lavédrine is a professor at the Muséum national d'Histoire naturelle (MNHN) and a scientist at the Centre de Recherche sur la Conservation (CRC) in Paris. He holds a master’s degree in organic chemistry and a doctoral degree in Art and Archeology from the Faculty of Humanities, University of Paris I Panthéon-Sorbonne. From 2003 to 2007, he was appointed as the director of the conservation training program at the University of Paris I Panthéon-Sorbonne. He has written papers and books on the preservation of photographic collections, now available in several languages (French, English, Spanish, Russian, Japanese, and Vietnamese). Dr. Lavédrine also leads research into the characterization and degradation of plastics––he was coordinator of the European funded project “POPART” (Preservation Of Plastic Artifacts in museum collections)—and the non-destructive identification of dyes and pigments used in manuscript illumination. He has participated in various international training programs funded by the Andrew W. Mellon Foundation, the Getty Conservation Institute, the International Center for the Study of the Preservation and Restoration of Cultural Property (ICCROM), and research projects funded by the European commission.

May 13, 2022

The Conservation Center Appoints Dr. Glennis Rayermann as Visiting Assistant Professor of Conservation Science

The Conservation Center of the Institute of Fine Arts is pleased to announce the appointment of Dr. Glennis Rayermann as Visiting Assistant Professor of Conservation Science for a one-year position, renewable to three years. Dr. Rayermann will begin her position on September 1, 2022.

Dr. Glennis Rayermann is currently a Research Associate with the Netherlands Institute for Conservation+Art+Science+ (NICAS) in Amsterdam, a position funded by the Mellon Foundation, where she is specializing in the heritage science of metal, glass, stone, and ceramic objects. She received her doctorate in chemistry from the University of Washington in 2018 after her MS in chemistry at the same institution, and a BS in chemistry with distinction from Harvey Mudd College in Claremont, CA. Dr. Rayermann completed a graduate conservation science internship at the Indianapolis Museum of Art at Newfields, focusing on the technical study of a forged panel painting attributed to Icilio Federico Joni. In 2020 she was Lecturer at the Garman Art Conservation Department at the State University of New York, Buffalo State, a position she followed with a research appointment at the department, studying the possibility of non-invasive examination of modern sports trading cards.

Michele Marincola, Chair of the Conservation Center and Sherman Fairchild Distinguished Professor of Conservation writes, “The appointment of Dr. Rayermann is an exciting opportunity for us at the Conservation Center. She will bring fresh perspectives from her research in Amsterdam and Buffalo State, as well as broad knowledge of heritage science and her enthusiastic engagement with students. We look forward to welcoming her to our faculty this fall.”

"We are thrilled to appoint Dr. Glennis Rayermann as a Visiting Assistant Professor of Conservation Science at the Conservation Center. Glennis’s specialization in the heritage science of metal, glass, stone, and ceramic objects and her depth of knowledge in the field of chemistry will provide critical training for our graduate students,” said Christine Poggi, the Judy and Michael Steinhardt Director of the Institute of Fine Arts.

May 11, 2022

The Institute Appoints Catherine Quan Damman and Alexandra Courtois de Viçose Visiting Professors

The Institute of Fine Arts, NYU, is pleased to announce the appointment of Catherine Quan Damman as the Linda Nochlin Visiting Assistant Professor for a three-year term. We are also delighted to announce the appointment of Alexandra Courtois de Viçose as Visiting Assistant Professor of 19th-century European Art. Both colleagues will begin on September 1, 2022.

Catherine Quan Damman will teach seminars and lectures focusing on the work of contemporary women artists from a broad, multi-media, and global perspective. Her work as a scholar and critic also addresses gender and sexuality studies, feminist approaches to art history, and critical race studies.

Dr. Damman is completing her first monograph, Performance: A Deceptive History with a 2022–2023 ACLS Fellowship. Work on the project has also been supported by a research grant from the Terra Foundation for American Art and a two-year Chester Dale Predoctoral Fellowship at the Center for Advanced Study in the Visual Arts (CASVA), at the National Gallery of Art, Washington, DC. Previously, she was a Visiting Assistant Professor of Art History and an Andrew W. Mellon Postdoctoral Fellow at Wesleyan University, where she was concurrently on the faculty of the Institute for Curatorial Practice in Performance graduate program. She has also been a Core Lecturer in Art History at Columbia University, where she completed her PhD in 2018. An active critic, she is a frequent contributor to Artforum. Her writing can also be found in Bookforum, BOMB, 4Columns, Frieze, Art in America, and elsewhere.

Alexandra Courtois de Viçose's research draws from disability studies and disability history to address unexplored facets of late nineteenth-century European visual culture. Prior to her career in academia, Alexandra worked in theatre and then in special-effects make-up in Los Angeles, CA. During her graduate tenure at U.C. Berkeley, she held a four-year Jacob K. Javits fellowship, a UNA fellowship for women in history, a Georges Lurcy fellowship in Paris, a Goldman Graduate Fund Fellowship, and she received two teaching awards. Kenyon College, where she has taught for the past four years, recently awarded her two Faculty Research Grants.

Dr. Courtois’s current book project examines Henri de Toulouse-Lautrec’s oeuvre and life through questions informed by the social model of disability studies; her second scholarly project will examine the art of French artist Jean Veber (1864-1928) and his recurrent depictions of leg amputee figures in both satirical newspaper cartoons and easel paintings. Her classes investigate European art, politics, and culture, but also investigate global networks of pictorial expression.

February 16, 2022

Lisa Conte Appointed Visiting Associate Professor of Paper Conservation

The Conservation Center of the Institute of Fine Arts is pleased to announce the appointment of Lisa Conte as Visiting Associate Professor of Paper Conservation for a one-year term, renewable to three years, beginning September 1, 2022.

Ms. Conte is currently the Head of Conservation at the 9/11 Memorial and Museum, a position she has held since 2017. She specializes in the conservation of modern and contemporary works on paper, and has previously held positions at The Metropolitan Museum of Art, Scott Gerson Conservation, and the Whitney Museum of American Art. She received a BA in English and Studio Art from William Smith College and an MA in Art History and an Advanced Certificate in Conservation from the Institute of Fine Arts, New York University. Ms. Conte has taught at the Institute of Fine Arts, both within the Conservation Center curriculum and in the Summer Institute in Technical Art History for doctoral students in art history, as well as for the Museum Studies Program of NYU, among other institutions. Her current research interests include the ethical considerations related to the preservation of spontaneous memorials and other objects associated with traumatic history. In the fall of 2021, she presented the preservation of the 9/11 Memorial and Museum’s collection for the Walter W. S. Cook Annual Lecture series, which invites prominent Institute alumni to speak.

Feb 7, 2022

The Institute to present Kenneth Kemble and Silvia Torras: The Formative Years, 1956-63

The Institute of Fine Arts, New York University announces Kenneth Kemble and Silvia Torras: The Formative Years, 1956-63, the first dual presentation of the work of Argentine artists Kenneth Kemble (1923-1998) and Silvia Torras (1936-1970) in the United States. Curated by Clara Maria Apostolatos, Martina Lentino, Nicasia Solano, and Juul Van Haver, the exhibition is on view from February 23––May 27, 2022, at the Institute of Fine Arts’ James B. Duke House.

Jan 20, 2022

Harriet Stratis, Paula Volent, and Graeme Whitelaw Join The Institute's Board of Trustees

The new board members bring a wealth of professional experience and a commitment to educating future generations of art historians, art conservators, and archaeologists.

Marica Vilcek, chair of the NYU Institute of Fine Arts’ Board of Trustees, is pleased to announce the addition of three new members of the Institute’s Board. Harriet Stratis, paper conservator, technical art historian, and alumna of the Institute; Paula Volent, investment officer, paper conservator, and alumna of the Institute; and Graeme Whitelaw, architect and collector, join the Institute’s board, bringing a wealth of experience and engagement in philanthropy, art conservation, and the art world.

Jan 18, 2022

JONATHAN BROWN: A LIFE

By Richard Kagan, Robert Lubar, and Edward J. Sullivan

Jonathan Brown was a pioneering art historian who brought the study of both Spanish and Viceregal Mexican art to wide public and academic attention with his teaching, voluminous writing and exhibition curating, from the 1960s until the present decade. He died at home in Princeton, New Jersey on January 17, 2022. Jonathan Brown was the son of Jean (Levy) Brown and Leonard Brown, well known collectors of Dada, Surrealist, Fluxus, and especially Abstract Expressionist art. He was born in Springfield, Massachusetts on July 15, 1939. As an undergraduate at Dartmouth College, he became interested in Spanish language and literature. His love of Spanish art was fostered by classes at the Universidad Complutense in Madrid, where he attended New York University’s junior year in Spain program in 1958-59. Brown received his PhD in art history in 1964 from Princeton where he taught in the Department of Art and Archaeology from 1965 to 1973. Jonathan Brown and Sandra Backer were married in 1966. Their house in Princeton, New Jersey, has been the family home for many years. Jonathan was recruited by NYU to be Director (1973-78) of the Institute of Fine Arts, the university’s graduate center for the study of art history and fine arts conservation. He remained at the Institute until his retirement in 2017, serving as the Caroll and Milton Petrie Professor of Fine Arts. Brown instructed several generations of advanced students in his field, many of whom went on to have prestigious careers as academics, museum curators and directors. His fundamental books and exhibition catalogues on the greatest figures of Spain’s “Golden Age,” including El Greco, Diego Velázquez, Francisco de Zurbarán, Jusepe de Ribera and Bartolomé Esteban Murillo, among others, earned him praise at home and abroad. Brown’s 1991 survey The Golden Age of Painting in Spain (expanded in 1998 and published as Painting in Spain 1500-1700) remains the standard volume on the subject.

Nov 15, 2021

Richard E. Stone, In Memoriam
February 2, 1939 – November 15, 2021

Image Courtesy of Elizabeth Rosen Stone.

Richard Stone (M.A. 1966, ABD), conservator emeritus of The Metropolitan Museum of Art and a member of the adjunct faculty of the Conservation Center of the Institute of Fine Arts for nearly 30 years, died peacefully at home on November 15, 2021, after a long illness. With him was his beloved wife, the historian of Indian art, Elizabeth Rosen Stone (M.A. 1970, Ph.D 1983), whom he first met in Erwin Panofsky’s class at the Institute in the 1960s.

Sep 16, 2021

Conservation Center Appoints Steven Weintraub and Denyse Montegut as 2021-2022 Judith Praska Distinguished Visiting Professors in Conservation & Technical Studies

The Conservation Center of the Institute of Fine Arts is pleased to welcome Steven Weintraub and Denyse Montegut as the 2021–2022 Judith Praska Distinguished Visiting Professors in Conservation and Technical Studies. Weintraub, founder and Principal of Art Preservation Services (APS), and Montegut, Professor in the Fashion and Textile Studies at the Fashion Institute of Technology, will teach in fall 2021 and spring 2022 semesters, respectively.

Now approaching its tenth year, the Praska Distinguished Visiting Professorship recognizes a distinguished conservator or scientist who brings new areas for research and teaching to the program in conservation. Weintraub will teach Color and Perception in the fall of 2021 and Montegut will teach Polymers, Fibers, Yarns and Weave Structures in Fabrics in the spring of 2022. Both will deliver public lectures during their tenure.

Christine Poggi, the Judy and Michael Steinhardt Director of the Institute of Fine Arts, said, “We are thrilled that these distinguished alumni of the Institute will be joining us at the Conservation Center in the next academic year. Their knowledge of and practical experience with material science and conservation will serve as a rich resource for our students.”

Michele D. Marincola, Chair of the Conservation Center and Sherman Fairchild Distinguished Professor of Conservation, notes, “Steve’s specialization in the perception of color is a crucial addition to our program; we are privileged to be able to host him in the fall term. Denyse’s expertise in fiber identification and textile chemistry complements the course offered by Steve and will attract students from different specialties, with its emphasis on mastering polarizing light microscopy, identification of weave structures, and assessing treatment options for fiber-based objects.”

Steven Weintraub is the founder and Principal of Art Preservation Services (APS), established in 1988. He specializes in the preservation of museum collections. In addition to environmental consultation work for museums, he has done pioneering research in the areas of museum lighting and museum microclimates. The primary focus of his research on perception of color is to provide a scientific basis for establishing a balance between the need to minimize light-induced damage on artworks without sacrificing the qualitative experience of viewing art in a museum setting. Weintraub holds a B.A from Colgate University, and an M.A. in Art History and a Certificate in Conservation from the Institute of Fine Arts, New York University.

Denyse Montegut, a textile conservator, is Professor in the Fashion and Textile Studies Department, School of Graduate Studies, at the Fashion Institute of Technology. Her specialties are microscopy, fiber chemistry, and material science, and she was awarded the SUNY Chancellor’s Award for Teaching in 2004. She was Chair of her department from 1996 to 2019, during which time she developed its conservation component into a well-respected Master’s training program. She holds a B.A from Brooklyn College, and an M.A. in Art History and a Certificate in Conservation from the Institute of Fine Arts, New York University. She is A.B.D. in Art Conservation Research at the University of Delaware, where her dissertation studies focused on textile forgeries of Rhenish 13th–15th century metal printed textiles, a topic that she was introduced to during her 1993 Kress Fellowship at the Cooper-Hewitt Museum. Most recently in 2020, Professor Montegut was awarded the Lifetime Achievement Award by the Textile Specialty Group of the American Institute for Conservation.

June 1, 2021

Research supported by the Getty Foundation through its Conserving Canvas Initiative

The Conservation Center of the Institute of Fine Arts, New York University and the University of Akron School of Polymer Science and Engineering have joined forces for a major research project to identify improved lining adhesives for the conservation of canvas paintings, from Old Masters to Modern and Contemporary artists. The research partnership addresses a critical need to develop a satisfactory replacement for the original formulation of Beva 371, the industry standard for lining adhesion for paintings conservation that is no longer supported by available commercial ingredients. Conservators and scientists will work together to fine-tune and optimize adhesion performance and tailor the strength of the new lining adhesive products to minimize risks to the many types of paintings on canvas. This multi-institutional, cross-disciplinary project will be overseen by Professor Michele D. Marincola, Sherman Fairchild Distinguished Professor of Conservation and Chair of the Conservation Center during the grant period, and Christopher McGlinchey, Senior Research Scholar at the Conservation Center and the Project Director for this exciting initiative.

May 14, 2021

National Endowment for the Humanities Awards the Institute $150K in Support of Research on the Abydos Brewery and the Emergence of Kingship in Ancient Egypt

The Division of Archaeological and Ethnographic Field Research of the National Endowment for the Humanities has awarded NYU’s Institute of Fine Arts $150,000 to support the project “Excavation of Egypt’s first industrial-scale brewery, located at the ancient site of Abydos.” These funds will specifically support two field seasons of excavations at Abydos that aim to address the question of the relationship between beer production on such an enormous, truly industrial scale and the early development of Egyptian kingship and the state.

May 6, 2021

The Institute to Honor Marica Vilcek
Great Hall of the Historic Duke House to Be Renamed for Board Chair

The Institute of Fine Arts is renaming the Great Hall of the James B. Duke House in honor of its Board Chair, Marica Vilcek. A member of the Institute’s board since 2013, Marica has supported numerous fellowships in art history, archaeology, and conservation. In 2018, Ms. Vilcek and her husband, Dr. Jan T. Vilcek, endowed the Institute’s Marica and Jan Vilcek Curatorial Program, ensuring the Institute’s position as a premier school in the training of curators for the global arts community.

April 5, 2021

Hank Willis Thomas will be the Inaugural Speaker of the Sam Wagstaff Photography Lecture Series

Hank Willis Thomas (Photo Credit: Andrea Blanch).

The Institute of Fine Arts is pleased to announce that Hank Willis Thomas will give the inaugural Sam Wagstaff Photography Lecture on Thursday, April 22, 2021, at 6:00 p.m. in conversation with New York-based artist Chris Berntsen.

This new lecture series honors the legacy of Samuel J. Wagstaff Jr. (November 4, 1921 –January 14, 1987). Wagstaff attended the Institute of Fine Arts in the 1950s, studying Italian Renaissance Art under Richard Offner, and went on to become a notable American art curator, collector, and patron of the arts. Through his influential collecting, teaching, and curatorial work, Wagstaff promoted photography as a fine art medium. His groundbreaking collection was purchased by the J. Paul Getty Museum in 1984, constituting the cornerstone of its newly formed Department of Photographs. Sam Wagstaff’s devotion to the medium contributed to its rising status over the years. The Institue of Fine Arts is delighted to celebrate his achievements by naming our annual photography lecture in his honor.

March 10, 2021

Institute of Fine Arts to present
Cauleen Smith, H-E-L-L-O: To Do All At Once

Cauleen Smith, H-E-L-L-O (video still), 2014, digital video, 11:06 minutes. Courtesy the Artist and Corbett vs. Dempsey, Chicago.

The Institute of Fine Arts is pleased to announce its spring exhibition, Cauleen Smith, H-E-L-L-O:
To Do All At Once, presenting the 2014 film H-E-L-L-O by filmmaker and multimedia artist Cauleen Smith. The exhibition proudly continues the Great Hall Exhibition series’ commitment to celebrating the contributions of exemplary women artists and is the first in the series to take place online. Spanning and intertwining film, installation, and material objects, Smith’s practice expands on the experimental film and third world cinema traditions in order to explore the spaces of historical memory, collectivity, and compensatory possibility. In this way, Smith’s work emerges as a talismanic touchstone for contemporary activism and community building. In the artist’s words: “Future and past, you want to hold all of that. You want to celebrate, you want to protest, you want to do all at once.

February 16, 2021

World’s Oldest Industrial-Scale Brewery Identified at Abydos, Egypt, ca. 3000 BCE

General view of the south exterior of the enclosure of King Khasekhemwy (ca. 2750 BCE). A massive deposit of beer jars was found extending over nearly the entire excavated area. (Photo by Greg Maka for the North Abydos Project.)

A team of American and Egyptian archaeologists excavating at the site of Abydos in southern Egypt has uncovered evidence for the world’s oldest known industrial-scale beer production facility, an ancient complex with the capacity to produce enough beer to serve thousands of people in a single batch.

The archaeological team from the Institute of Fine Arts (IFA) at New York University and from Princeton University dated the brewery to the dawn of ancient Egyptian history, ca. 3000 BCE, the approximate time of the political unification of Upper and Lower Egypt and the emergence of the pharaonic state, the era of King Narmer.

Read more about the discovery at Abydos [opens in new window]

February 10, 2021

National Endowment for the Humanities Awards The Institute's Conservation Center $150K in Support of New Teaching Modalities in Conservation Education

The Division of Preservation and Access of the National Endowment for the Humanities has awarded NYU’s Institute of Fine Arts Conservation Center $150,000 to support the project “Managing Change: Developing New Teaching and Learning Modalities in Conservation Education.” In addition to these outright grant funds, the NEH will match up to $100,000 raised from third-party donations for a total of $350,000 in combined federal and third-party funding. These funds will enhance remote and in-person teaching of graduate-level art and artifact conservation through guest lectures, student fellowships, and summer work placements in US cultural institutions.

In response to the necessary transformation of teaching by the COVID-19 pandemic, the project will focus on developing new modalities for art conservation that will blend traditional instruction with remote learning technologies. The project will take place over three years and produce faculty/student-tested videos, images, and assessments of e-learning. The aim is to provide conservation students enrolled in the program and larger humanities communities with novel resources for teaching and learning.

December 16, 2020

The Institute Mourns the Loss of A Distinguished Alumna

The Institute of Fine Arts would like to recognize the passing of Frederick G. Schab who was a close friend and alum of the Institute. On May 14, Frederick died in Woodstock, NY at the age of 95. He was born in 1924 in Lucerne, where his father, William Schab, had founded a branch of his Viennese firm, Gilhofer und Ranschburg.  The firm dealt in rare books, illuminated manuscripts and drawings. The family moved back to Vienna in 1926. In 1938, following annexation of Austria to Nazi Germany, the family fled to Switzerland. In 1939 they moved to New York where his father founded the William H. Schab Gallery. 

Frederick received his Bachelor of Arts degree at Columbia University and received his Master of Arts at the Institute of Fine Arts, New York University. He studied under the famous art historians, Richard Krautheimer, Walter Friedlander and Carl Lehmann. In the early 1950’s he joined his father’s gallery that dealt with European Master Prints and drawings as well as early printed books. Frederick and his father added to the collections of prints, drawings, and rare books at the National Gallery, the Cleveland Museum, the Boston Museum of Fine Arts, The National Museum of Canada, the Getty Museum and many other museums and libraries around the world. Frederick was instrumental in the assembling the private collections of Lessing Rosenwald and Ian Woodner who then later donated their collections to the National Gallery in Washington. He also built the collection of the Arthur Ross Foundation now at the Yale University Art Museum.

December 9, 2020

A Prominent Conservator Brings New Areas for Research and Teaching to the Conservation Center

The Institute of Fine Arts Conservation Center is pleased to welcome Lynda Zycherman as the 2021 Judith Praska Distinguished Visiting Professor in Conservation and Technical Studies. Zycherman serves as Conservator of Sculpture at the Museum of Modern Art, New York.

The Judith Praska Distinguished Visiting Professorship in Conservation is awarded to a prominent conservator or scientist who brings new areas for research and teaching to the program in conservation. Zycherman will teach modern and contemporary sculpture conservation in the spring 2021 and will deliver a virtual public lecture during her tenure.

Christine Poggi, the Judy and Michael Steinhardt Director of the Institute of Fine Arts, said, “We are delighted to welcome Lynda to the Institute next year. Her impressive expertise gained through many years of technical research and hands-on practice will bring a new perspective to our objects conservation courses.”

Margaret Holben Ellis, Chair and Eugene Thaw Professor of Paper Conservation, notes, “Lynda’s specialization in sculpture conservation is a valuable addition to our program; we are so fortunate to be able to tap into local talent. Her research has expanded our material knowledge of modern sculpture and her unique and personal approach is an excellent model for our students to follow.”

Lynda Zycherman is Conservator of Sculpture at the Museum of Modern Art. She has over forty years’ experience examining and treating modern three-dimensional art and has particular expertise in metals conservation. She holds a BA from the City College of New York and an MA from the Institute of Fine Arts, NYU, with an Advanced Certificate in Art Conservation. She formerly held conservation positions and fellowships at the Freer Gallery of Art, Smithsonian Institution; The Metropolitan Museum of Art; and the Corning Museum of Glass. Her most recent publication addresses the conservation of Larry Bell’s glass sculpture Shadows (1967). Lynda will teach a treatment course for conservation students on modern and contemporary sculpture conservation.

November 19, 2020

Sheldon H. Solow In Memoriam

The Institute of Fine Arts mourns the loss of Sheldon Henry Solow, who passed away on November 17, 2020 at the age of 92. Born in Brooklyn in 1928, Solow attended NYU, studying engineering and architecture, but left in 1949 to begin a career in real estate development. He eventually became one of New York City’s most influential builders, often choosing innovative architects to design elegant and distinctive towers. Among his most iconic skyscrapers is the Solow Building at 9 West 57th Street, designed in 1974 by Gordon Bunshaft. Solow also assembled a remarkable collection of Renaissance and Modern art, as well as Egyptian antiquities and African art. His collection comprises important paintings and sculptures by Sandro Botticelli, Henri Matisse, Joan Miró, Franz Kline, Vincent Van Gogh, Pablo Picasso, Roy Lichtenstein, Jean-Michel Basquiat, and Cy Twombly, among others.

Sheldon Solow was a generous, even visionary, benefactor to the Institute, whose many gifts ranged from student fellowships, to faculty positions, to the renovation of the façade of the James B. Duke House, to two floors of the building at #3 East 78th Street for the construction of the Sheldon H. Solow Library and Study Center. Sheldon and his wife Mia Fonssagrives Solow, a sculptor and jewelry designer, joined the Institute’s Council of Friends in 1973 (today’s Connoisseurs Circle). Solow became a trustee of the Institute in 1985, and served as Chair of the Board of Trustees from 1992 to 2003. He established two professorships: the Sheldon H. Solow Professor in the History of Architecture (currently held by Jean-Louis Cohen), and the Rosalie Solow Professor of Modern Art in honor of his sister (currently held by Thomas Crow). During the financial crisis of 2009-2011, his generosity provided financial support to over 200 Institute students. As recently as last August, he made a gift to the Director’s Discretionary Fund to assist students affected by the pandemic. Read more

October 15, 2020

Festschrift in Honor of Colin Eisler to be Published by the University of Toronto

The Centre for Reformation and Renaissance Studies (CRRS) at Victoria University in the University of Toronto will publish a Festschrift in Honor of Institute Professor Colin Eisler. Edited by Institute alumnae Yassana Croizat-Glazier & Sarah Harris Weiss, Exploration and Revelation: French Renaissance Studies in Honour of Colin Eisler is a significant contribution to scholarship on French Renaissance art. This collection of articles includes contributions from several Institute alumni including: Suzanne Boorsch, Yassana Croizat-Glazer, Mary L. Levkoff, Anne L. Poulet, Stuart W. Pyhrr, George A. Wanklyn, and Ian Wardropper.

Read more on the The Centre for Reformation and Renaissance Studies website.

October 7, 2020

The American School of Classical Studies Students and Friends Name Evelyn B. Harrison Room in New Student Center

The American School of Classical Studies at Athens is pleased to announce a gift from the Students and Friends of Evelyn Byrd Harrison in support of the renovated Student Center. The Evelyn B. Harrison Room, located on the second floor of Loring Hall, is named in honor of the distinguished art historian and teacher whose long association with the School spanned more than sixty years.

Evelyn (Eve) Harrison (1920–2012) was one of the preeminent scholars of Greek art in the second half of the 20th century and a professor at the Institute from 1974 to 2006. Read more on the American School of Classical Studies website.

September 16, 2020

The American School of Classical Studies Named a Student Center after James R. McCredie

The American School of Classical Studies at Athens is pleased to announce a munificent gift from Marian M. McCredie in support of the renovated Student Center. Mrs. McCredie has renamed West House in memory of her late husband, James R. McCredie, whose close association with the School spanned six decades. McCredie House will be a lasting tribute to his extraordinary impact on the School.

Read more on the American School of Classical Studies website.

June 22, 2020

Fall 2020 Curricular Plan for the Institute

The Institute of Fine Arts will resume in-person coursework for the Fall 2020 semester to the fullest extent possible while taking into consideration the safety of our students, faculty, and staff.

June 3, 2020

Statement of Solidarity

To the members of the Institute of Fine Arts Community,

This has been an especially painful week, filled with horrifying news and images that are now seared into all of our memories. We have witnessed yet another brutal murder of an African American, George Floyd, following the recent killings of Ahmaud Arbery, Breonna Taylor, and many others. This has caused enormous pain, suffering, and rage within the Black community, which is shared by all those who support justice, equality, freedom, and peace for everyone. At this time when the outbreak of the coronavirus has disproportionately affected people of color and other vulnerable groups, demonstrating the disastrous effects of systemic racism, we should be working together to create an egalitarian and just society. We stand in solidarity with all those who fight against racism and police brutality.

May 20th, 2020

Tom Sokolowski (1950-2020)

Photo Courtesy Zimmerli Art Museum at Rutgers.

Thomas W. Sokolowski, who received his MA from the Institute in 1975, died in New Brunswick, N.J. on May 6th 2020. Tom was a pioneering curator and a courageous museum director who, throughout his career, created exhibitions that sought to advance the cause of social justice.

At the Institute, he studied Early Modern European art. His particular interest (fostered at the University of Chicago where he did his undergraduate degree) was the art of seventeenth and eighteenth century Italy. He studied with Anthony (Tony) Clark, former Director of the Minneapolis Institute of Art and Curator of European Paintings at the Metropolitan Museum. Clark became adjunct professor at the IFA in 1973. After Clark’s untimely death in 1976 Tom worked with Donald Posner on a dissertation (which he did not finish) on Roman painter Sebastiano Conca.

Read more about Tom Sokolowski

February 4th, 2020

Chika Okeke-Agulu is Named 2020 Kirk Varnedoe Visiting Professor at the Institute of Fine Arts, NYU

The Institute of Fine Arts is delighted to welcome Chika Okeke-Agulu as the Kirk Varnedoe Visiting Professor for the spring 2020 semester.

Chika Okeke-Agulu is Professor of African and African Diaspora Art at Princeton University. His books include Yusuf Grillo: Painting. Lagos. Life (Skira Editore, 2020), Obiora Udechukwu: Line, Image, Text (Skira Editore, 2016); Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria (Duke, 2015); and (with Okwui Enwezor), Contemporary African Art Since 1980 (Damiani, 2010). He is co-editor of Nka: Journal of Contemporary African Art and maintains the blog Ọfọdunka.  He has co-organized several art exhibitions, including El Anatsui: Triumphant Scale (Haus der Kunst, Munich, 2019), Who Knows Tomorrow (Nationalgalerie, Berlin, 2010), 5th Gwangju Biennale (Gwangju, 2004), The Short Century: Independence and Liberation Movements in Africa, 1945 1994 (Museum Villa Stuck, Munich, 2001), Seven Stories About Modern Art in Africa (Whitechapel Art Gallery, London, 1995), and the Nigerian section at the First Johannesburg Biennale, 1995. Read more about Professor Okeke-Agulu

January 28th, 2020

Helen Frankenthaler Foundation Awards $2.5 Million to Endow Doctoral Programs at Five Universities

The Helen Frankenthaler Foundation announced today the selection of five new institutional partners for Frankenthaler Scholarships, a multi-year initiative that has dedicated more than $4 million to art and art history graduate programs around the country. For the program’s next phase, the Foundation is awarding $500,000 to five different universities—The Graduate Center, CUNY; Harvard University; the Institute of Fine Arts at New York University; Stanford University; and University of Chicago—to support the creation of named endowments that will offer one or more annual fellowships for doctoral students studying art history. These endowment gifts build on the inaugural round of Frankenthaler Scholarships, which support MFA programs in painting.

Read more on the Helen Frankenthaler Foundation website [opens in new window]