Conservation Alumni Publications

2015 - Current

Abbe, Mark B. “Art (in Antiquity).” In A Cultural History of Color, edited by Carole P Biggam, Kirsten Wolf, Amy Buono, Sven Dupré, Alexandra Loske, Anders Steinvall, and Sarah Street. London, UK ; New York, NY, USA: Bloomsbury Academic, 2021.

Abbe, Mark B. “New Evidence for Ancient Gilding and Historic Restorations on a Portrait of Antinous in the San Antonio Museum of Art.” In ASMOSIA XI: Abstracts. Split: University of Split, Faculty of Civil Engineering, Architecture and Geodesy, 2015.

———. “The Polychromy of Roman Sculpture.” In The Oxford Handbook of Roman Sculpture. New York: Oxford University Press, 2015.

Abbe, Mark, and Giovanni Verri. “The ‘Bursa Relief’: A Noninvasive Analytical Investigation of an Exceptionally Painted Roman Marble Portrait.” In Polychromy in Ancient Sculpture and Architecture, 166–82. Livorno: Sillabe, 2018.

Adams, Morgan. “Educating Library and Archives Conservators in Art Conservation Graduate Programs.” In Flood in Florence, 1966: A Fifty-Year Retrospective: Proceedings of Symposium, November 3 and 4, 2016, University of Michigan, Ann Arbor, Michigan, 183–89. Ann Arbor: University of Michigan Press, 2018.

Adams, Morgan Simms. “Extraordinary Ordinary: Physical Evidence and Treatment of a Seventeenth-Century Heraldic Manuscript.” Care and Conservation of Manuscripts 15 (2016): 347–64.

Alderson, Samantha, Jane L. Down, Christopher A. Maines, R. Scott Williams, and Gregory S. Young. “Potential Substitutes for Discontinued Poly(Vinyl Acetate) Resins Used in Conservation.” Journal of the American Institute for Conservation 58, no. 3 (2019): 158–79.

Alderson, Samantha, and Lisa Kronthal Elkin. “Fossil Vertebrate Specimens.” In Adhesive Compendium for Conservation, edited by Jane L. Down. Ontario: Canadian Conservation Institute, 2015.

Appelbaum, Barbara. Preserve, Protect, and Defend: A Practical Guide to the Care of Collections. New York, N.Y: Barbara Appelbaum Books, 2018.

Arden, Sasha. “The Potential of Augmented Reality (AR) in the Virtual Performance of Time-Based Media Art.” The Electronic Media Review 6 (2019).

Baglia, Regina A., G. Asher Newsome, and Mary W. Ballard. “Ambient Mass Spectrometry Analysis of Alizarin-Dyed Textile and Dye Transfer to Paper.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 28 (2018): 127–39.

Balachandran, Sanchita. “Bringing Back the (Ancient) Bodies: The Potters’ Sensory Experiences and the Firing of Red, Black and Purple Greek Vases.” Arts 8, no. 2 (June 2019): 70.

———. “New Light on Ancient Faces. Undergraduate Students at Johns Hopkins University Study Roman Egyptian Mummy Portraits.” E-News, International Committee for Egyptology in the International Council of Museums., 2016.

———. “Pedagogy and the ‘Working Collection’: Teaching Technical Research and Experimental Archaeology at the Johns Hopkins Archaeological Museum.” In Engaging Conservation: Collaboration across Disciplines, 19–28. London: Archetype Publications Ltd, 2017.

———. “Race, Diversity and Politics in Conservation: Our 21st Century Crisis.” Conservators Converse: The Blog of the American Institute for Conservation (blog), May 2016.

———. “Reverse Engineering Ancient Greek Ceramics: An Interdisciplinary Collaboration.” National Council on Education for the Ceramic Arts Journal 37 (2016): 92.

———. “Technical Studies.” In Selections from the Eton College Myers Collection. Baltimore, MD: Johns Hopkins Archaeological Museum, 2016.

———. “Transformative Spaces: Dr. S. Paramasivan and Conservation Science in India in the Early Twentieth Century.” Studies in Conservation 64, no. 1 (January 2, 2019): 24–41.

———. “Uncovering Ancient Preparatory Drawings on Greek Ceramics.” The Getty Iris (blog), September 24, 2018.

Balachandran, Sanchita, and Kelly McHugh. “Respectful and Responsible Stewardship: Maintaining and Renewing the Cultural Relevance of Museum Collections.” In Preventive Conservation: Collection Storage, 100–120. New York: Society for the Preservation of Natural History. Accessed May 26, 2020.

Ballard, Mary, Laura Mina, Cathleen Zaret, and Carol Grissom. “A Biological Disaster to Costume.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 26 (2017): 75–87.

Ballard, Mary W., Allison Gentry, and Namrata Dalela. “Old and New Solutions to Dissipate Static Charge for Plexiglas Pressure Mounts.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 28 (2018): 173–77.

Barack, Sarah, Beth Edelstein, Colleen Snyder, and Ellen Chase. “Creating a National Outreach through Local Connections: The American Institute for Conservation’s K-12 Education Outreach Working Group.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Barro, Lisa, Katherine Sanderson, Silvia A. Centeno, and Beth Saunders. “The Exhibition and Characterization of Seven Salted Paper Prints.” Journal of the American Institute for Conservation 59, no. 3–4 (October 1, 2020): 171–85.

Barten, Julie. “Pablo Picasso’s Woman Ironing and the Portrait Hidden Beneath.” In Thannhauser Collection: French Modernism at the Guggenheim. New York, New York: Guggenheim Museum Publications; New York, New York, 2018.

Barten, Julie, Francesca Casadio, Johanna Salvant, Carol Stringari, Ken Sutherland, and Marc Walton. “A Wealth of Optical Expression: László Moholy-Nagy’s Works in the Collection of the Solomon R. Guggenheim Museum.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 28 (2015): 41–53.

Barten, Julie, Anna Laganà, and Thea van Oosten. “Seen from behind: Consolidation of Painted Works on Poly(Methyl Methacrylate) by László Moholy-Nagy.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Barten, Julie, Sylvie Penichon, and Carol Stringari. “The Materialization of Light.” In Moholy-Nagy: Future Present. Chicago: Art Institute of Chicago, 2016.

Bartolozzi, Giovanni, Marcello Picollo, Veronica Marchiafava, Silvia A. Centeno, Isabelle Duvernois, Francesca Di Girolamo, Francesca Modugno, Jacopo La Nasa, Maria Perla Colombini, and Antonio Rava. “Anselm Kiefer: A Study of His Artistic Materials.” Archaeological and Anthropological Sciences 8, no. 3 (2016): 563–74.

Beaubien, Harriet F., Ainslie C. Harrison, and Kim Cullen Cobb. “Crossing the ‘River of Gold’ from Sitio Conte to El Caño, Panama: An Historical Perspective on Archaeology/Conservation Collaboration.” In Engaging Conservation: Collaboration across Disciplines, 171–80. London: Archetype Publications Ltd, 2017.

Beckett, Fiona, Amanda Holden, and Gregory Dale Smith. “Seeing the Light: Research, Conservation and Exhibition of a 1980s Daylight Fluorescent Painted Leather Jacket Designed by Sprouse and Painted by Castronovo.” Journal of the American Institute for Conservation 58, no. 4 (October 2, 2019): 233–47.

Beltinger, Caroline, and Jilleen Nadolny, eds. Painting in Tempera, c. 1900. Kunstmaterial 4. Zürich: Swiss Institute for Art Research ; London, 2016.

Berg, Sara, and Sanchita Balachandran. “Housing Archaeological Collections.” Johns Hopkins Archaeological Museum, 2019, 73.

Bertalan, Sarah. “Foxing and Reverse Foxing: Condition Problems in Modern Papers and the Role of Inorganic Additives.” The Book & Paper Group Annual 34 (2015): 13–22.

Bezur, Anikó, Pedro H. O. V. Campos, Silvia A. Centeno, Isabelle Duvernois, Frauke V. Josenhans, Pablo Londero, Ana Gonçalves Magalhães, Márcia Rizzutto, and Cynthia Schwarz. “Modigliani’s Late Portraits.” The Burlington Magazine 160, no. 1382 (2018): 400–407.

Bloser, Joy, and Lynda Zycherman. “Dark Discoloration on Aristide Maillol’s Outdoor Lead Sculpture: Identification, Formation, and Further Research.” In Metal 2019: Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group. Neuchâtel, 2019.

Bloser, Joy, Lynda Zycherman, Abed Haddad, Ana Martins, and Chris McGlinchey. “El Anatsui: Conservation Concerns Beyond Installation.” In Metal 2019: Proceedings of the Interim Meeting of the ICOM-CC Metals Working Group. Neuchâtel, 2019.

Bolin, Courtney Anne, and Mary Ballard. “Assessing LED Lights for Textile Colorants.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 24 (2016): 85–95.

Bordonaro, M. and Desirae Peters. “An Attribution: Madonna Della Misericordia by Pietro Da Vicenza.” Arte Veneta 73 (2016).

Bottkol, Joannie, and Angela Campbell. “Collecting Collections: Negotiating Material Value at the National Park Service.” Journal of the American Institute for Conservation 58, no. 4 (2019): 260–73.

Breare, Caitlin. “The Monopoli Altarpiece: Rediscovery and Recovery of a Cretan-Venetian Masterpiece.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 30 (2017): 27–36.

———. “The Other Woman: The Nature of the Fine Arts Museums of San Francisco’s Breton Girl.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 28 (2015): 25–34.

Breuker, Margaret, and Joannie Bottkol. “The Removal of Biological Material from Calcareous Stone Monuments.” In Biodeterioration and Preservation in Art, Archaeology and Architecture. London (United Kingdom): Archetype Publications Ltd., 2018.

Broadway, Mary E., Harriet K. Stratis, and Marc S. Walton. “Cast in a New Light: Surface Topographies of Paul Gauguin’s Transfer Drawings.” Journal of the Institute of Conservation 41, no. 3 (2018): 206–17.

Broadway, Mary, and Harriet K. Stratis. “Challenging the Myths Surrounding Paul Gauguin’s ‘Little Marvels.’” The Book & Paper Group Annual 36 (2017): 7–11.

Brost, Amy. “A Documentation Framework for Sound in Time-Based Media Installation Art / Amy Brost.” The Electronic Media Review 5 (2017).

Brostoff, Lynn. “RATS in Context.” AIC News 41, no. 1 (2016): 1, 3–4.

Brostoff, Lynn, Carol Lynn Ward-Bamford, Stephanie Zaleski, Elizabeth Montagnino, Andrew Buechele, Isabelle Muller, Tara Diba, Jason Zara, Murray Loew, and Fenella France. “Characterization of the Surface Alteration Layer in 19th-Century Potassium Silicate Glass.” In Recent Advances in Glass and Ceramics Conservation 2019: Interim Meeting of the ICOM-CC Glass and Ceramics Working Group and Icon Ceramics and Glass Group Conference, 5-7 September 2019, London, United Kingdom. Paris (France): ICOM-CC, 2019.

Brostoff, Lynn, Stephanie Zaleski, Carol Lynn Ward-Bamford, Elizabeth Montagnino, Isabelle Muller, Andrew Buechele, Murray Loew, and Fenella France. “Nineteenth Century Glass Manufacture and Its Effect on Photographic Glass Stability.” Journal of the Institute of Conservation 43, no. 2 (2020): 125–41.

Brugioni, Kathryn. “Eraser Cleaning of Gypsum Plaster: Evaluating Damage Potential Using Reflectance Transformation Imaging.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 22 (2015): 205–24.

Buchberg, Karl. “Henri Matisse’s The Swimming Pool: Conservation and Exhibition.” The Book & Paper Group Annual 36 (2017): 103–7.

Buchberg, Karl D, and Lee Ann Daffner. “Technical Note: Photomechanical Reproduction and Dadaglobe.” In Dadaglobe Reconstructed. Zürich: Scheidegger & Spiess, 2016.

Bunz, Sophie, Brian Castriota, and Flaminia Fortunato. “How Sustainable Is File-Based Video Art? Exploring the Foundations for Best Practice Development.” The Electronic Media Review 4 (2015).

Burnstock, A., Isabelle Duvernois, and Lena Stringari. “The Modigliani Technical Research Study: Modigliani’s Painted Nudes, 1916-17.” Burlington Magazine 160 (April 1, 2018): 319–24.

Butler, Cornelia H., Margaret Holben Ellis, Lindsey Tyne, Alex Potts, Morgan Library Pierpont, and Museum Hammer. Dubuffet Drawings, 1935-1962. Edited by Isabelle Dervaux. New York, New York: Thames & Hudson, in association with the Morgan Library & Museum, 2016.

Cai, Xiaoping, Emily Williams, Sylvia Albro, Lynn Brostoff, Claire Dekle, and Meghan Wilson. “The Conservation Treatment and Scientific Analysis of an 18th-Century Armenian Prayer Scroll.” The Book & Paper Group Annual 37 (2018): 8–20.

Calder, Barnabas, Susan MacDonald, Claudia Devaux, Paul Gaudette, Rosa Lowinger, and Ana Paula Arato Gonçalves. “Conserving Concrete: Live Roundtable Discussion for the Launch of Conservation Principles for Concrete of Cultural Significance.” Los Angeles (California, United States), San Bruno (California, United States): Getty Conservation Institute, 2020.

Capua, Rebecca. “Japonisme and Japanese Works on Paper: Cross-Cultural Influences and Hybrid Materials.” In Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation: Proceedings from the International Conference of the Icon Book & Paper Group, London 8–10 April 2015, 28–42. London: Institute of Conservation, 2017.

Carò, Federico, Silvia A. Centeno, and Dorothy Mahon. “Painting with Recycled Materials: On the Morphology of Calcite Pseudomorphs as Evidence of the Use of Wood Ash Residues in Baroque Paintings.” Heritage Science 6 (2018).

Castriota, Brian. “Authenticity, Identity, and Essentialism: Reframing Conservation Practice.” In What Is the Essence of Conservation? Materials for a Discussion: Papers from the ICOM-CC and ICOFOM Session at the 25th General Conference Held in Kyoto, 4 September 2019. Paris (France) : Paris (France): ICOM International Committee for Museology, ICOM-CC, 2019.

Castriota, Brian. “Instantiation, Actualization, and Absence: The Continuation and Safeguarding of Katie Paterson’s Future Library (2014–2114).” Journal of the American Institute for Conservation 60, no. 2–3 (July 3, 2021): 145–60.
Castriota, Brian. “Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction.” Studies in Conservation 67, no. 1–2 (February 17, 2022): 72–83.

Chao, Raina. “Compensation for Small Losses to Lacquer and Inlaid Decoration Using Paper Fills Painted and Glazed in Situ.” Studies in Conservation 61, no. 3-Supp (2016): 149–54.

Chao, Raina, and Hugh Shockey. “One Device to Document Them All: Exploring an All-in-One Solution for Digital Condition Reporting and Beyond.” Newsletter (Western Association for Art Conservation) 40, no. 2 (2018): 21–25.

Chui, Sue Ann, and Yvonne Szafran. “A Perfectionist Revealed: The Resourceful Methods of Andrea Del Sarto.” In Andrea Del Sarto: The Renaissance Workshop in Action, 13–19. Los Angeles: J. Paul Getty Museum, 2015.

Cianchetta, Ilaria, Jeff Maish, David Saunders, Marc Walton, Apurva Mehta, Brendan Foran, and Karen Trentelman. “Investigating the Firing Protocol of Athenian Pottery Production: A Raman Study of Replicate and Ancient Sherds.” Journal of Raman Spectroscopy 46, no. 10 (2015): 996–1002.

Cianchetta, Ilaria, Karen Trentelman, Marc Sebastian Walton, Jeffrey Maish, Apurva Mehta, and Brendan Foran. “Reverse Engineering Ancient Greek Ceramics: Morphological and Spectral Characterization of Replicates.” Journal of the American Ceramic Society 99, no. 5 (2016): 1792–1801.

Clarke, Matthew L., Constance McCabe, Christopher A. Maines, Silvia A. Centeno, Lisa Barro, and Anna Vila. “An Investigation into Japine Platinum Photographs: William Willis’s Proprietary Paper.” Journal of the American Institute for Conservation 54, no. 4 (2015): 213–23.

Coddington, Jim, and Jennifer Hickey. “Seeking Aesthetic Balance: The Restoration of Three Jackson Pollock Paintings.” Getty Research Journal 9, no. S1 (2017): 79–98.

Colloton, Eddy, and Kate Moomaw. “Rewind, Pause, Playback: Addressing a Media Conservation Backlog at the Denver Art Museum.” The Electronic Media Review 5 (2017).

Conte, Lisa, Christine Frohnert, Lisa Nelson, and Julia Sybalsky. “Overcoming Obsolescence: The Examination, Documentation, and Preservation of Nam June Paik’s TV Cello.” The Electronic Media Review 2 (2013): 1–9.

Conte, Lisa, Joe Graham-Felsen, and Amanda Trienens. “The Slurry Wall: Past, Present, and Future.” Studies in Conservation 65, no. 1-Supp (2020): S44–50.

Cossairt, Oliver, Xiang Huang, Nathan Matsuda, Harriet Stratis, Mary Broadway, Jack Tumblin, Greg Bearman, Eric Doehne, Aggelos Katsaggelos, and Marc Walton. “Surface Shape Studies of the Art of Paul Gauguin.” In 2015 Digital Heritage, 2:13–20, 2015.

Daher, Céline, Ken Sutherland, Harriet Stratis, and Francesca Casadio. “Paul Gauguin’s Noa Noa Prints: Multi-Analytical Characterization of the Printmaking Techniques and Materials.” Microchemical Journal 138 (May 1, 2018): 348–59.

Danzing, Rachel, and Ann Baldwin. “Pilot Project for the Treatment of Photogravures on Gampi Paper by Edward Curtis (1868-1952).” Topics in Photographic Preservation 17 (2017).

Davis, Suzanne, and Geoff Emberling. “Graffiti at El-Kurru: The Funerary Temple.” In Graffiti as Devotion along the Nile and Beyond, 25–38. Kelsey Museum Publications 16. Ann Arbor, MI: The Kelsey Museum of Archaeology, 2019.

Davis, Suzanne, Richard L. Kerschner, Susanne Gänsicke, Ellen Pearlstein, Catharine Hawks, Rebecca Kaczkowski, and Dennis Piechota. “Objects of Potential: Commentary on ‘Objects’ Conservation.” AIC News 40, no. 2 (2015): 6–9.

Davis, Suzanne L. “Understanding and Improving Gender Equity in Conservation.” Journal of the American Institute for Conservation 58, no. 4 (2019): 202–16.

Davis, Suzanne L., Caroline Roberts, and Janelle Batkin-Hall. “A Comprehensive Approach to Conservation of Ancient Graffiti at El Kurru, Sudan.” Journal of the American Institute for Conservation 57, no. 1–2 (April 3, 2018): 1–18.

DeGhetaldi, Kristin, Samantha Alderson, and Joyce Hill Stoner. “PVA Retouching Colors: A Brief History and Introduction to Golden’s Newly Formulated PVA Conservation Colors.” In 4th Annual International Meeting on Retouching in Cultural Heritage Postprints. Split, 2017.

Delidow, Margo, Jessica Pace, and Eric Meier. “Conservation of Christo/Paik Wrapped TV (1967): Documentation and Treatment of a Collaborative Artwork.” Journal of the American Institute for Conservation 55, no. 4 (2016): 228–37.

Drayman‐Weisser, Terry, and Stephanie E. Hornbeck. “An Art Conservation Perspective: Saving the African Elephant and Ivory Cultural Heritage.” Curator: The Museum Journal 61, no. 1 (2018): 161–85.

Duvernois, Isabelle, Julie Arslanoglu, and Silvia A. Centeno. “Cut from the Same Cloth: A Technical Comparison of Jackson Pollock’s Pasiphaë and Mural.” Getty Research Journal 9, no. S1 (2017): 61–78.

Effmann Clifford, Elise. “John Roddam Spencer Stanhope: Lessons Learned from the Masters.” In Truth and Beauty: The Pre-Raphaelites and the Old Masters, 251–59. Fine Arts Museums of San Francisco, 2018.

———. “Love and the Maiden by John Roddam Spencer Stanhope: Assumptions and the Importance of Analysis.” In Tempera Painting 1800-1950: Experiment and Innovation from the Nazarene Movement to Abstract Art. Munich: Archetype, 2019.

Effmann Clifford, Elise, and Claire Barry. “The Conservator’s Eye: The Materials and Painting Methods of the Brothers Le Nain.” In The Brothers Le Nain: Painters of Seventeenth-Century France, 364–89. Kimbell Art Museum, 2016.

Ellis, Margaret Holben. “Environment and the Care of Prints and Drawings.” AASLH Technical Leaflet, no. 280 (2017).

———. “Going Beyond the Bench - The Paper Conservator Today.” Restaurator. International Journal for the Preservation of Library and Archival Material 40, no. 3–4 (2019): 311–21.

———. The Care of Prints and Drawings. Second edition. American Association for State and Local History Book Series. Lanham: Rowman & Littlefield, 2017.

———. “Unexpected FAME & UnFORTUNE.” In Postprints Institute of Conservation, Book and Paper Group, 2nd Triennial Conference, 2020.

Ellis, Margaret Holben, and Marjorie B. Cohn. “Drawing for Printing: An Expanded Fabrication Narrative for Dürer’s Adam and Eve of 1504.” Master Drawings 55, no. 4 (2017): 435–52.

Ellis, Margaret Holben, Rosaleen Hill, Narayan Khandekar, Frank Matero, Debra Hess Norris, and Jennifer Haln Teper. “Diversity Efforts: The Association of North American Graduate Programs in Conservation (ANAGPIC).” AIC News 44, no. 5 (2019): 1, 6–11.

Ellis, Margaret Holben, C.R. Johnson Jr., William A. Sethares, Saira Haqqi, Reba Fishman Snyder, and et al. “The Application of Automated Chain Line Pattern (CLiP) Matching to Identify Paper Mouldmate Candidates in Rembrandt’s Prints.” In New Directions in the Study of Rembrandt and His Circle, 319–34. Amsterdam: University of Amsterdam Press, 2017.

Ellis, Margaret Holben, and C. Richard Johnson Jr. “Computational Connoisseurship: Enhanced Examination Using Automated Image Analysis.” Visual Resources 35, no. 1–2 (April 3, 2019): 125–40.

Ellis, Margaret Holben, and Lindsey Tyne. “Myth and Manipulation: Deconstructing and Reconstructing: Dubuffet’s Imprints and Their Assemblages.” In Dubuffet Drawings, 1935-1962, 71–83. New York: The Morgan Library & Museum, 2016.

———. “Perilous Message, Precarious Medium.” In Dreams in Dust: The Pastels of Lucas Samaras, 25–31. New York: Morgan Library & Museum, 2016.

Engel, Nina L., and Suzanne Siano. “Airbrushing in the Conservation of Modern and Contemporary Painted Artworks.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 28 (2015): 79–87.

Ferris, Quinn Morgan. “Medium-Rare: An Innovative Treatment Approach to the Space between General and Special Collections.” The Book & Paper Group Annual 36 (2017): 41–51.

Ferris, Quinn Morgan, Jennifer Hain Teper, and Eric Benson. “A Case for a New Case Paper: From Farm to Table to Desk to Bench.” Book and Paper Group Annual, 2019.

Frank, Emily B. “Lights, Camera, Archaeology: Documenting Archaeological Textile Impressions with Reflectance Transformation Imaging (RTI).” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 25 (2017): 11–42.

Frank, Emily B., and Brian Castriota. “Fifty-Plus Years of On-Site Metals Conservation at Sardis: Correlating Treatment Efficacy and Implementing New Approaches.” In Preprints of the 19th ICOM-CC Triennial Conference in Beijing. Archaeological Materials and Sites Working Group, 2021.

Frank, Emily B., Margaret Holben Ellis, Lydia Aikenhead, and Paul Messier. “The Computational Analysis of Watermarks: Setting the Stage for the Development of a Watermark Imaging Box (WImBo).” In 52nd Annual Conference on Information Sciences and Systems (CISS), 1–4, 2018.

Frank, Emily B., M. Paulson, C. Snow, and P. Londero. “A Preliminary Investigation into the Use of Laser Cleaning to Stabilize Bronze Disease.” Postprints of the AIC Annual Meeting, Objects Specialty Group, Forthcoming 2019.

Ganio, Monica, Johanna Salvant, Jane Williams, Lynn Lee, Oliver Cossairt, and Marc Walton. “Investigating the Use of Egyptian Blue in Roman Egyptian Portraits and Panels from Tebtunis, Egypt.” Applied Physics. A, Materials Science & Processing 121, no. 3 (2015): 813–21.

Gaylord Resch, Laura, Beth Edelstein, and Justin Baker. “A Case Study in Establishing and Maintaining Elevated RH Levels in Microclimate Casework.” Postprints of the Research and Technical Studies Group (AIC) 8 (2020): 58–61.

Gleeson, Molly, Evelyn Mayberger, Hiroko Kariya, Lucy-Anne Skinner, Josef Wegner, Matthew Adams, and Eman H. Zidan. “Conservation at Abydos: Past Practices and Future Possibilities.” In Engaging Conservation: Collaboration across Disciplines, 57–64. London: Archetype Publications Ltd, 2017.

Goldberg, Lisa, and Rachael Perkins Arenstein. “Storage Techniques for Art, Science and History Collections (STASHc.Com): An Online Resource for Collection Storage. In From Boxes to Buildings: Creative Solutions for the Storage of Textiles and Dress: Forum of the ICON Textile Group, 27 March 2017, the Assembly Rooms, Bath. London (United Kingdom): Institute of Conservation, 2017.

Gridley, Rebecca, Kari Rayner, and Tony Sigel. “A Failure Shared Is Not a Failure: Learning from Our Mistakes: 3rd Annual Mistakes Session, July 31, 2020.” Washington DC, San Bruno: American Institute for Conservation of Historic and Artistic Works, 2020.

Gridley, Rebecca, and Karen Stamm. “Seeing Clearly: Casting Epoxy Fills for Glass Objects Using Transparent Molds.” Objects Specialty Group Postprints, Forthcoming 2019.

———. “Using Double-Walled PVC Foil Molds to Separately Cast Large Epoxy Resin Fills for Glass Objects.” In Recent Advances in Glass and Ceramics Conservation, 101–10. London: The British Museum, 2019.

Gross, Markus, Nadim Scherrer, Friederike Steckling, and Stefan Zumbühl. “Studio Tip: Future Prospects of Conservation Treatments with a Micro-Aspirator Tool.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 30 (2017): 115–19.

Hamilton, Vivien. Drawn in Colour: Degas from the Burrell Collection. London: National Gallery Company; New Haven, 2017.

Haqqi, Saira. “The Rationale for Rebinding at the Pierpont Morgan Library in the Early 20th-Century: A Study of Bindings by Marguerite Duprez Lahey.” The Book & Paper Group Annual 35 (2016): 17–29.

Hatchfield, Pamela. “Evaluating Materials Used for Collection Storage.” In Preventive Conservation: Collection Storage. SPNHC, 2019.

———. “The Bersha Procession in Context.” In The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold, 311–30. Bulletin of the Egyptological Seminar 19. New York, 2015.

———. “Wood and Related Products.” In Preventive Conservation: Collection Storage. SPNHC, 2019.

Hatchfield, Pamela, Janelle Batkin-Hall, Camille Bourse, Jan Dariusz Cutajar, and Evelyn Mayberger. “Working Together: Community, Conservation, and Preservation Strategies for Royal Painted Tombs at El-Kurru, Sudan.” Studies in Conservation 65, no. 1-Supp (2020): S132–38.

Hatchfield, Pamela, Briana Feston, Diana Johnson Galante, Erin Kitagawa, Jessica Pace, Amy Tjiong, Kristen Watson Adsit, et al. “Reduced, Reused and Recycled: The Treatment and Redisplay of a Repurposed Seventeenth-Century Coromandel Lacquer Screen in the Acton Collection, Villa La Pietra, Florence.” Studies in Conservation 61, no. 3-Supp (2016): 117–23.

Hatchfield, Pamela, and P. Parmigianni. “Tracing the Past: Observations on a Gilded Marble Relief Attributed to Francesco Di Simone Ferrucci.” Beijing, 2020.

Hatchfield, Pamela, and Petert Schertz. “Made from Life: A Roman Terracotta Portrait in the Museum of Fine Arts, Boston.” Memoirs of the American Academy in Rome 61 (2016): 22–39.

Hayes, Matthew. “On the Origins of Alois Riegl’s Conservation Theory.” Journal of the American Institute for Conservation 58, no. 3 (July 3, 2019): 132–43.

———. The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe. Los Angeles: Getty Conservation Institute, 2021.

———. “Titian’s Portrait of Guidobaldo II Della Rovere and His Son Francesco Maria II: Technique, Change, and Conservation.” Kermes 32, no. 114–115 (2019): 109–18.

Hepworth, Paul. “Defining the Need for Conservation.” In Comparative Oriental Manuscript Studies: An Introduction, 544–51. Hamburg: COMSt, 2015.

———. “Yekşah Tooling: A Technique Not an Identity.” Care and Conservation of Manuscripts 16 (2018): 323–43.

Heywood, Ann. “A Statuette of Two Men and a Boy from the Amarna Period, Part II: Materials Analysis and Imaging.” In The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold. Bulletin of the Egyptological Seminar ; v.19. New York: The Egyptological Seminar of New York, 2015.

Hickey, Jennifer. ...“...Designed to Exist in Passing Time: Robert Rauschenberg’s Black Painting.” In Authenticity in Transition: Changing Practices in Art Making and Conservation: Proceedings of the International Conference Held at the University of Glasgow, 1-2 December 2014, 72–80. London: Archetype Publications Ltd, 2016.

Hickey, Jennifer, and David Reed. “Joan Mitchell’s Harbor December.” In Joan Mitchell. Yale University Press, 2020.

Hill, Marsha, and Deborah Schorsch. “Ptah’s Profile.” Another Mouthful of Dust: Egyptological Studies in Honour of Geoffrey Thorndike Martin, Orientalia Lovaniensia Analecta, 246 (2016): 251–307.

Holden, Amanda, Fiona Beckett, and Gregory Smith. “Seeing the Light: Conservation and Exhibition of a 1980s Daylight Fluorescent Painted Leather Jacket.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 25 (2017): 95–110.

Hornbeck, Stephanie E. “Elephant Ivory: An Overview of Changes to Its Stringent Regulation and Considerations for Its Identification.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 22 (2015): 101–21.

Hornbeck, Stephanie E., and Dana L. Moffett. “Altered Surfaces, Taking the Long View: Applications of Ethnographic Conservation Practices to the Conservation of Contemporary Art.” Studies in Conservation 61, no. 2-Supp (2016): 84–90.

 

Howe, Ellen, Emily Kaplan, Richard Newman, James H. Frantz, Ellen Pearlstein, Judith Levinson, and Odile Madden. “The Occurrence of a Titanium Dioxide/Silica White Pigment on Wooden Andean Qeros: A Cultural and Chronological Marker.” Heritage Science 6 (2018).

Hughes, Amy. “Measurement of Surface PH of Paper Using Agarose Gel Plugs: A Feasibility Study.” In Gels in the Conservation of Art, 62–66. London: Archetype Publications Ltd, 2017.

———. “Paper Sample Collection in Practice: Treating a Max Weber Print.” Hand Papermaking 56, no. 2 (2017): 16–17.

———. “Wild and Immaculate: Kenneth Tyler’s Early Use of Handmade Paper at Gemini G.E.L.” Hand Papermaking 34, no. 1 (2019): 3–10.

Hughes, Amy, and Michelle Sullivan. “Targeted Cleaning of Works on Paper: Rigid Polysaccharide Gels and Conductivity in Aqueous Solutions.” The Book & Paper Group Annual 35 (2016): 30–41.

Hurst, Heather, and Caitlin R. O’Grady. “Maya Mural Art as Collaboration: Verifying Artists Hands at San Bartolo, Guatemala through Pigment and Plaster Composition.” In Beyond Iconography: Materials, Methods, and Meaning in Ancient Surface Decoration, 35–55. Boston: Archaeological Institute of America Boston Group, 2015.

Jan, Grace. “Comparison of Chinese Painting and Western Paper Conservation Techniques.” The Book & Paper Group Annual 38 (2019): 29–39.

Johnson, C. Richard, William A. Sethares, Margaret Holben Ellis, and Saira Haqqi. “Hunting for Paper Moldmates Among Rembrandt’s Prints: Chain-Line Pattern Matching.” IEEE Signal Processing Magazine 32, no. 4 (July 2015): 28–37.

Johnson, C. Richard, William A. Sethares, and Margaret Holben Ellis. “Overlay Videos for Quick and Accurate Watermark Identification, Comparison, and Matching.” Journal of Historians of Netherlandish Art. Website.

Johnson, Jessica S., Zaid Ghazi, Katharyn Hanson, Brian Michael Lione, and Kent Severson. “The Nimrud Rescue Project.” Studies in Conservation 65, no. 1-Supp (2020): S160–65.

Jue, Erin, Charlotte W. Eng, and Naoko Takahatake. “The Examination and Conservation of a Chiaroscuro Woodcut: Antonio Da Trento’s Martyrdom of Two Saints, a Case Study.” Journal of the American Institute for Conservation 55, no. 3 (2016): 154–65.

Keegan, Kelly. “Methods Behind the Magic: The Materials and Techniques of Ivan Albright.” In Ivan Albright Paintings at the Art Institute of Chicago. Art Institute of Chicago, 2019.

Keegan, Kelly, and Inge Fiedler. “Rediscovering Renoir: Materials and Technique in the Paintings of Pierre-Auguste Renoir at the Art Institute of Chicago.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 28 (2015): 7–27.

Kennedy, Nora W., Meredith Reiss, and Katherine Sanderson. “The Future Is Not What It Used to Be: Changing Views on Contemporary Color Photography.” Studies in Conservation 61, no. 2-Supp (2016): 91–97.

King, Annette, Isabelle Duvernois, Joe Fronek, Joyce H. Townsend, and Silvia A. Centeno. “Modigliani in the South of France.” The Burlington Magazine 160, no. 1382 (2018): 394–99.

Knipe, Penley, Katherine Eremin, Marc Walton, Agnese Babini, and Georgina Rayner. “Materials and Techniques of Islamic Manuscripts.” Heritage Science 6 (2018).

Kokkori, Maria, Ken Sutherland, Johanna Salvant, Francesca Casadio, Julie Barten, and Carol Stringari. “‘More than a Pure Technical Sensation’: Twentieth-Century Metallic Paints, Their Formulations, and Use in Paintings.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Kornfield, Julie, Brent Seales, Sam Webb, Karen Trentelman, Odile Madden, and Jeffrey Levin. “Dialogue and Collaboration: A Conversation about Science and Conservation.” Conservation Perspectives: The GCI Newsletter 35, no. 1 (2020): 19–24. 

Kramer, Lia, Alexandra Nichols, Mollie Anderson, Nora W. Kennedy, Lorena Ramírez-López, and Glenn Wharton. “Conducting a Time-Based Media Conservation Assessment and Survey at The Metropolitan Museum of Art.” Journal of the American Institute for Conservation 60, no. 2–3 (July 3, 2021): 236–54.

Kriss, Dawn, Ellen G. Howe, Judith Levinson, Adriana Rizzo, Federico Carò, and Lisa DeLeonardis. “A Material and Technical Study of Paracas Painted Ceramics.” Antiquity 92, no. 366 (2018): 1492–1510.

Lowinger, Rosa. “In Defense of Decorative Finishes: Cuban Architectural Conservation in the Twenty-First Century.” Conservation Perspectives: The GCI Newsletter 32, no. 2 (2017): 10–12.

———. “Vandalism.” Change over Time 5, no. 1 (2015): 168 p.

Lowinger, Rosa, Christina Varvi, and Kelly Ciociola. “Logistical Challenges in the Relocation of Monumental Modern Architectural Artworks.” Studies in Conservation 65, no. 1-Supp (2020): S192–98.

MacDonough, Kristin, Joseph Helnen, Alexandra Nichols, Brian Castriota, Jonathan Farbowitz, Meaghan Perry, and Sasha Arden. “Who Is the Electronic Media Group (EMG)?” AIC News 46, no. 1 (2021): 1, 5–10.

Madden, Odile. “Balancing Ingenuity and Responsibility in the Age of Plastic.” In The Age of Plastic: Ingenuity and Responsibility: Proceedings of the 2012 MCI Symposium, 1–17. Washington DC: Smithsonian Institution Scholarly Press, 2017.
 
———. “[Plastics in Early Aircraft: Enclosing the Cockpit].” Natchitoches (Louisiana, United States), San Bruno (California, United States): National Center for Preservation Technology and Training, YouTube distributor, 2019.

Mahon, Dorothy. “Technical Studies: Murillo’s Self-Portrait of ca. 1650-55.” In Murillo: The Self-Portraits. New York, NY: The Frick Collection ; New Haven, CT, 2017.

———. “Thomas Cole’s The Oxbow and The Consummation of Empire : A Technical Comparison.” In Thomas Cole’s Journey: Atlantic Crossings. New York: The Metropolitan Museum of Art; New Haven, 2018.

Males, Billie, Lindsay Oakley, Oliver Cossairt, and Marc Walton. “Maximizing the Microscope: Instrument Design and Data Processing Strategies for Hyperspectral Imaging of Cross-Sectional Cultural Heritage Samples.” In Optics for Arts, Architecture, and Archaeology VII, 11058:110580C. International Society for Optics and Photonics, 2019.

Marincola, Michele. “The Cloisters’ Romanesque Crucifix from Northern Spain: A Reconstruction and Interpretation.” In Christ on the Cross and the Emergence of Medieval Monumental Sculpture, 264–81. Brepols/Harvey Miller, 2020.

Marincola, Michele, and Lucretia Kargère. The Conservation of Medieval Polychrome Wood Sculpture - History, Theory, Practice. Los Angeles: Getty Publications, 2020.

Marincola, Michele, and Anna Serotta. “Riemenschneider’s Marienaltar in Herrgottskirche, Creglingen: A Review of Its Restoration History and the Application of a New Examination Method.” In Riemenschneider in Situ, Proceedings of a Conference, June 21-23, 2017. Brepols/Harvey Miller, 2020.

Mathews, Thomas F, and Norman E. Muller. The Dawn of Christian Art in Panel Paintings and Icons. Los Angeles: J. Paul Getty Museum, 2016.

Mayberger, Evelyn. “Flaming Pearls and Flying Phoenixes: Materiality, Research, and Stewardship of Liao Dynasty Metalwork.” Journal of the American Institute for Conservation 59, no. 1 (January 2, 2020): 65–76.

Mayberger, Evelyn, Jessica Arista, Marie Svoboda, and Molly Gleeson. “Invisible Brushstrokes Revealed: Technical Imaging and Research of Romano-Egyptian Mummy Portraits. In Technical Imaging and Research of Romano-Egyptian Mummy Portraits: Emerging Research from the APPEAR Project, First edition. Los Angeles: J. Paul Getty Museum, 2020.

McCann, Laura, Chantal Stein, Jessica Pace, Andy Wolf, and Katherine Parks. “Legal and Ethical Considerations in the Conservation of Artwork Produced During Art Therapy.” Journal of the American Institute for Conservation, September 23, 2021, 1–18.

McClean, Taylor, Courtney A. Bolin, and Mary W. Ballard. “The Effect of Light-Emitting Diode Lamps (LEDs) on 19th-Century Dyed and Printed Cotton Fabrics.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 25 (2017): 1–10.

McClintock, T. K., Lorraine Bigrigg, and Deborah LaCamera. “An Overview of Overlapping Interests in East Asian and Western Conservation.” In Adapt & Evolve 2015: East Asian Materials and Techniques in Western Conservation: Proceedings from the International Conference of the Icon Book & Paper Group, London 8–10 April 2015, 168–81. London: Institute of Conservation, 2017.

———. “Case Study: Conservation and Restoration of a Pair of Large Diameter English Globes.” Journal of the Institute of Conservation 38, no. 1 (2015): 77–91.

McClintock, Thomas K., Lorraine Bigrigg, and Deborah LaCamera. “The Japanese and Chinese Paintings at Taliesin: Their Display and Conservation.” Studies in Conservation 65, no. 1-Supp (2020): S213–20.

McGath, Molly, and Odile Madden. “Engineered Self-Disassembly: A Plastic That Turns into Gravel.” In The Age of Plastic: Ingenuity and Responsibility: Proceedings of the 2012 MCI Symposium, 141–45. Washington DC: Smithsonian Institution Scholarly Press, 2017.

McHugh, Kelly. “Facing the Past for Action in the Future: Cultural Survival in Native America.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 23 (2016): 278–90.

McHugh, Kelly, and Anne Gunnison. “Finding Common Ground and Inherent Differences: Artist and Community Engagement in Cultural Material and Contemporary Art Conservation.” Studies in Conservation 61, no. 2-Supp (2016): 126–29.

Messier, Paul, and Emily B. Frank. “Art into Data | Engineering WImBo.” In 52nd Annual Conference on Information Sciences and Systems (CISS), 1–4. Princeton: IEEE, 2018.

Miller, Asher Ethan, and Sophie Scully. “The Pont Neuf: A Paris View by Johan Barthold Jongkind Reconsidered.” Metropolitan Museum Journal 50, no. 1 (2015): 178–93.

Mochon, Rachel. “Late Pastels.” In Joan Mitchell. Yale University Press, 2020.

Monahan, Anne, Isabelle Duvernois, and Silvia A. Centeno. “‘Working My Thought More Perfectly’: Horace Pippin’s The Lady of the Lake.” Metropolitan Museum Journal 52 (December 1, 2017): 94–115.

Moomaw, Kate. “Collecting Participatory Art at the Denver Art Museum.” Studies in Conservation 61, no. 2-Supp (2016): 130–36.

Moomaw, Kate, and Sarah Melching. “From Infancy to Adolescence: Growing an Electronic Media Conservation Program at the Denver Art Museum.” The Electronic Media Review 3 (2015): 97–103.

Mustalish, Rachel, and Isabelle Duvernois. ““The Livingness of Appearances": Materials and Techniques of Marsden Hartley in Maine.” In Marsden Hartley’s Maine, 153–56. New York: Metropolitan Museum of Art, 2017.

Novak, Adam, and Daria Keynan. “Recapturing the Subtleties.” The Book & Paper Group Annual 36 (2017): 52–57.

Nunberg, Sarah, Soraya Alcala, Carolyn Tomkiewicz, Cindie Kehlet, Chris McGlinchy, and Jens Dittmer. “Conservation of a White Louise Nevelson Installation: Gel Systems Explored.” In Gels in the Conservation of Art, 299–305. London: Archetype Publications Ltd, 2017.

Nunberg, Sarah, Matthew J. Eckelman, and Pamela Hatchfield. “Life Cycle Assessments of Loans and Exhibitions: Three Case Studies at the Museum Fine Arts, Boston.” Journal of the American Institute for Conservation 55, no. 1 (2016): 2–11.

O’Connor, Kaslyne, Ariel Pate, Sylvie Pénichon, and Francesca Casadio. “Moonlight or Midnight? Researching the Phases of Edward Steichen’s Moonrise Prints.” Journal of the American Institute for Conservation, April 21, 2020, 1–12.

Oey, Mary. “Waters Rising: Letters from Florence — Peter Waters and Book Conservation at the Biblioteca Nazionale Centrale Di Firenze After the 1966 Flood.” Journal of the American Institute for Conservation 56, no. 3–4 (October 2, 2017): 251–53.

O’Grady, Caitlin. “The Model Conservator – Unpicking the Past to Understand Discipline Development.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

O’Grady, Caitlin R. “Gentlewomen in the Field and Museum: Unacknowledged Pioneers in the Development of Conservation as Both Profession and University Discipline: The London Case.” In Engaging Conservation: Collaboration across Disciplines, 3–18. London: Archetype Publications Ltd, 2017.

———. “Waxing Enthusiastic: Transmission and Migration of Consolidation Materials and Techniques in the Early Twentieth Century.” In Migrants: Art, Artists, Materials and Ideas Crossing Borders. London (United Kingdom) : Whittlesford (Cambridgeshire, England): Archetype Publications Ltd., Hamilton Kerr Institute, 2019.

O’Hern, Robin, and Kelly McHugh. “A Guide for Native American Objects with Glass Deterioration.” Newsletter (Western Association for Art Conservation) 37, no. 2 (2015): 16–20.

O’Hern, Robin, and Ellen Pearlstein. “Beyond the Surface: Where Cultural Contexts and Scientific Analyses Meet in the Conservation of Komo Helmet Masks in Museum Collections.” Museum Anthropology, 2016, 70–86.

Owczarek, Nina, William Wierzbowski, and W. Christian Petersen. “A Rare Reference Resource: Five Lakota Painted Buffalo Robes from the Standing Rock Reservation.” In Engaging Conservation: Collaboration across Disciplines, 219–30. London: Archetype Publications Ltd, 2017.

Panadero, Laura, Katherine Eremin, and Elena Bulat. “X-Ray Fluorescence Analysis of Frédéric Flachéron’s Paper Negatives, 1848–1852.” Journal of the American Institute for Conservation 59, no. 3–4 (October 1, 2020): 186–93.

Passeri, Irma, Annika Finne, and Anikó Bezur. “Gel Formulations Coupled with Mechanical Cleaning Techniques to Remove Old Overpaint and Pigmented Coatings on a Large Altarpiece by Piero Di Cosimo.” In Gels in the Conservation of Art, 306–15. London: Archetype Publications Ltd, 2017.

Pearlstein, Ellen. “Bishop’s Miter and Infulae; Dialog with the Creator of a Colonial Feathered Liturgical Vestment.” Latin American & Latinx Visual Culture, 2018.

———. “Conserving Ourselves: Embedding Significance into Conservation Decision-Making in Graduate Education.” Studies in Conservation 62, no. 8 (2017): 435–44.

———. “Displaying Feathers, What History Tells Us.” In Images Take Flight: Feather Art in Mexico and Europe, 422–31. Chicago: University of Chicago Press, 2016.

———. “Restoring Provenance to an American Indian Feathered Blanket.” In Preserving Our Heritage: Perspectives from Antiquity to the Digital Age, 555–65. Chicago: ALA Neal-Schuman, 2015.

———. “Teaching Sustainable Collection Care.” Journal of the American Institute for Conservation 56, no. 2 (April 3, 2017): 113–25.

———. The Conservation of Featherwork from Central and South America. London: Archetype Publications Ltd, 2017.

Pearlstein, Ellen, Melissa Hughs, Joy Mazurek, Kevin McGraw, Christel Pesme, Renée Riedler, and Molly Gleeson. “Ultraviolet-Induced Visible Fluorescence and Chemical Analysis as Tools for Examining Featherwork.” Journal of the American Institute for Conservation 54, no. 3 (2015): 149–67.

Pénichon, Sylvie, Krista Lough, and Paul Messier. “An Objective Revaluation of Photograms by László Moholy-Nagy.” Leonardo 50, no. 3 (March 30, 2017): 292–95.

Perry, Jennifer, and Marco Leona. “Beneath the Blue: A Scientific Analysis of Korin’s Irises at Yatsuhashi.” Impressions: The Journal of the Japanese Art Society of America 37 (2016): 129–40.

Pollak, Rebecca, and Harriet K. Stratis. “Art on Paper Discussion Group 2019: Expanding the Toolbox: Making Artists’ Materials Reference Collections Relevant to Conservation Practice.” The Book & Paper Group Annual 38 (2019): 81–89.

Pouyet, Emeline, Monica Ganio, Aisha Motlani, Abhinav Saboo, Francesca Casadio, and Marc Walton. “Casting Light on 20th-Century Parisian Artistic Bronze: Insights from Compositional Studies of Sculptures Using Hand-Held X-Ray Fluorescence Spectroscopy.” Heritage 2, no. 1 (2019): 732–48.

Randall, Megan. “Reality and Illusion: Achieving a Balance in the Exhibition and Treatment of Robert Gober’s Untitled Wax Legs.” Studies in Conservation 61, no. 2-Supp (2016): 193–97.

Randall, Megan, Lynda Zycherman, and Roger Griffith. “Conservation of Joan Miró’s Bronze Sculptures at the Museum of Modern Art.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 23 (2016): 233–55.

Randall, Megan, Lynda Zycherman, M. Moody, and A. Martins. “Now You See It, Now You Don’t: Conservation of Larry Bell’s Glass Sculpture.” In “Shadows”. Future Talks 019. Munich, 2020.

Ransick Gat, Leslie, and Erin Toomey. “Conservation of 15th and 16th Century Italian Glazed Terracotta: Thoughts from Conservators in Private Practice.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 24 (2017): 65–76.

Rayner, Kari. “A Month in New Haven: The Yale Center for British Art’s Visiting Scholar Award.” The Picture Restorer, no. 55 (2019): 32–35.

Rayner, Kari S., and Julie Ribits. “Studio Tip: Evolon CR as a Poultice for Varnish Removal / Kari Rayner; Julie Ribits.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 30 (2017): 99–105.

Ritchie, Fran, and Julia Sybalsky. “Tips for Feather Fills.” Objects Specialty Group Postprints (American Institute for Conservation of Historic and Artistic Works. Objects Specialty Group) 23 (2016): 303–8.

Rivenc, Rachel, Julia Langenbacher, Christina Varvi, Rosa Lowinger, Maria Coltharp, and Brian Trimble. “When Art Meets Technology: Can the Love Affair Last? The Legacy of the 1965 Sculpture Symposium at the California State University Long Beach and the Challenges of Maintaining a Sculpture Park on a University Campus.” In The Conservation of Sculpture Parks. London (United Kingdom): Archetype Publications Ltd., 2018.

Robinson, David, Matthew J. Baker, Clare Bedford, Jennifer Perry, Michelle Wienhold, Julienne Bernard, Dan Reeves, Eleni Kotoula, Devlin Gandy, and James Miles. “Methodological Considerations of Integrating Portable Digital Technologies in the Analysis and Management of Complex Superimposed Californian Pictographs: From Spectroscopy and Spectral Imaging to 3-D Scanning.” Digital Applications in Archaeology and Cultural Heritage 2, no. 2–3 (2015): 166–80.

Rocheleau, Caroline M., ed. The Bacchus Conservation Project: The Story of a Sculpture. Raleigh, NC: North Carolina Museum of Art, 2020.

Rohani, Neda, Emeline Pouyet, Marc Walton, Oliver Cossairt, and Aggelos K. Katsaggelos. “Pigment Unmixing of Hyperspectral Images of Paintings Using Deep Neural Networks.” In ICASSP 2019 - 2019 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 3217–21, 2019.

Rosewitz, Jessica, Christina Muir, Carolyn Riccardelli, Nima Rahbar, and George Wheeler. “A Multimodal Study of Pinning Selection for Restoration of a Historic Statue.” Materials & Design (Online) 98 (2016): 294–304.

Ruiz, Pablo, Olivia Dill, Goutam Raju, Oliver Cossairt, Marc Walton, and Aggelos K. Katsaggelos. “Visible Transmission Imaging of Watermarks by Suppression of Occluding Text or Drawings.” Digital Applications in Archaeology and Cultural Heritage 15 (December 1, 2019): e00121.

Rushfield, Rebecca. “In Their Own Words: Why Western European Conservators Chose to Migrate to the United States and What They Found When They Arrived.” In Migrants: Art, Artists, Materials and Ideas Crossing Borders. London: Archetype, 2019.

Salvant, J., J. Williams, M. Ganio, F. Casadio, C. Daher, K. Sutherland, L. Monico, et al. “A Roman Egyptian Painting Workshop: Technical Investigation of the Portraits from Tebtunis, Egypt.” Archaeometry 60, no. 4 (2018): 815–33.

Salvant, Johanna, Julie Barten, Francesca Casadio, Maria Kokkori, Federica Pozzi, Carol Stringari, Ken Sutherland, and Marc Walton. “László Moholy-Nagy’s Painting Materials: From Substance to Light.” Leonardo 50, no. 3 (March 30, 2017): 316–20.

Salvant, Johanna, Victoria Schussler, Caitlin McKenna, Lisa Bruno, Monica Ganio, and Marc Walton. “Investigation of an Enameled Glass Mosque Lamp: A 13th-14th-Century Mamluk Example or 19th-Century European Version?” Heritage Science 4 (2016).

Salvant, Johanna, Ken Sutherland, Julie Barten, Carol Stringari, Francesca Casadio, and Marc Walton. “Two László Moholy-Nagy Paintings on Trolit: Insights into the Condition of an Early Cellulose Nitrate Plastic.” E-Preservation Science 13 (2016): 15–22.

Salvant, Johanna, Marc Walton, Dale Kronkright, Chia-Kai Yeh, Fengqiang Li, Oliver Cossairt, and Aggelos Konstantinos Katsaggelos. “Photometric Stereo by UV-Induced Fluorescence to Detect Protrusions on Georgia O’Keeffe’s Paintings.” In Metal Soaps in Art: Conservation and Research. Cham (Switzerland): Springer International Publishing AG, 2019.

Sánchez, Eduardo, Susan Lansing Maish, Lynn Lee, Patrick Degryse, and Marc Walton. “La restauration de l’argenterie Romaine.” In Le luxe dans l’antiquité: trésors de la Bibliothèque nationale de France, 88–107. Arles, Gand: Musée Départemental Arles Antique, 2017.

Sanderson, Katherine. “A Comparative Study of Handheld Reflectance Spectrophotometers.” Topics in Photographic Preservation 16 (2015): 47–62.

Sauvage, Leila, Harriet Stratis, and Lynne Harrison. “Pastel Roundtable: A Study Day at the National Gallery, London April 30, 2018.” Journal of Paper Conservation: IADA Reports = Mitteilungen Der IADA 19, no. 1 (2018): 33–35.

Schorsch, Deborah. “Bastet Goes Boating.” In The Art and Culture of Ancient Egypt: Studies in Honor of Dorothea Arnold, 271–84. Bulletin of the Egyptological Seminar 19. New York, 2015.

———. “Gold in Ancient Egypt.” In Heilbrunn Timeline of Art History: The New Edition. New York: Metropolitan Museum of Art, 2017.

———. “Metal Manufacture in Context: Technical Investigations of Cupreous Vessels from Lansing’s Pit 3.” In Excavations at Thebes, The Earl of Carnarvon and The Metropolitan Museum of Art at Carnarvon 62 and Surrounds, 2020.

———. “Ritual Metal Statuary in Ancient Egypt: ‘A Long Life and a Great and Good Old Age.’” In Statues in Context: Production, Meaning and (Re)Uses, 249–68. British Museum Publications on Egypt and Sudan. Leuven: Peeters, 2019.

———. “Silver in Ancient Egypt.” In Heilbrunn Timeline of Art History: The New Edition. New York: Metropolitan Museum of Art, 2018.

———. “Supplement: Technical Study of the Sithathoryunet Pectoral.” In Egypt Transformed: The Middle Kingdom, 115–16. New York: Metropolitan Museum of Art, 2015.

———. “Technical Examination and Material Analysis.” In A Companion to Ancient Near Eastern Art, 153–77. Blackwell Companions to the Ancient World. Hoboken, NJ: Wiley Blackwell, 2019.

———. “Technical Examination of the Temple Pendant of the Goddess Nephthys.” Revue d’Egyptologie 66 (2015): 43–45.

Schorsch, Deborah, Lawrence Becker, and Federico Carò. “Enlightened Technology: Casting Divinity in the Gupta Age.” Arts of Asia 49 (March 7, 2019): 131–43.

Seibert, Ann. “Digital Culture: Here to Stay.” In Sharing Conservation Decisions: Current Issues and Future Strategies. Rome (Italy): International Centre for the Study of the Preservation and the Restoration of Cultural Property, 2018.

Serotta, Anna, Lisa Bruno, and Yekaterina Barbash. “The Outer Coffin of Pa-Seba-Khai-En-Ipet.: New Insights on Manufacture, History and Treatment.” In Ancient Egyptian Coffins: Past, Present, Future, 35–42. Oxford: Oxbow Books, 2019.

Sessa, Clarimma, Lisa Barro, Silvia A. Centeno, Héctor Bagán, Federico Carò, and José Francisco García. “Investigation of the Possible Origins of Sulfur in 19th Century Salted Paper Photographs by X-Ray Fluorescence Spectroscopy.” X-Ray Spectrometry 45, no. 3 (2016): 176–84.

Sethares, William A., Margaret Holben Ellis, and C. Richard Johnson Jr. “Computational Watermark Enhancement in Leonardo’s Codex Leicester.” Journal of the American Institute for Conservation, no. 0 (March 3, 2020): 1–10..

Seymour, Kate, René Hoppenbrouwers, Lisa Pilosi, and Vinod Daniel. “What Does an 18th-Century Dutch Hindeloopen Period Room and a 21st-Century Training Project Have in Common? Answer: The Indian Conservation Fellowship Program.” The Picture Restorer, no. 55 (2019): 36–44.

Shank, J. William, and Tim Drescher. “Breaking the Rules: A New Life for Rescue Public Murals.” Studies in Conservation 61, no. 2-Supp (2016): 203–7.

Shank, Will. “Interview with Grupo Español de Conservación.” Ge-Conservacion, no. 16 (2019): 324–25.

———. “The Revelation of What Lies Beneath: The Link Between Picasso’s Rue de Montmartre (1900) and Le Moulin de La Galette (1900).” In Postprints. Museu Picasso, 2018.

Shank, Will, and Antonio Rava. “The Complex Preservation of Keith Haring’s 1987 Mural at the Hopital Necker Des Enfants Malades, Paris.” IIC News in Conservation, no. 65 (2018): 7–11.

Shelley, Marjorie. “A Disputed Pastel Reclaimed for Degas: Two Dancers, Half-Length.” Metropolitan Museum Journal 51, no. 1 (2016): 129–45.

———. “Line and Color: The Drawing Practices of Delacroix.” In Delacroix Drawings: The Karen B. Cohen Collection. New York: The Metropolitan Museum of Art, 2018.

Shibayama, Nobuko, Mark Wypyski, and Elisa Gagliardi-Mangilli. “Analysis of Natural Dyes and Metal Threads Used in 16th -18th Century Persian/Safavid and Indian/Mughal Velvets by HPLC-PDA and SEM-EDS to Investigate the System to Differentiate Velvets of These Two Cultures.” Heritage Science 3, no. 1 (March 13, 2015): 12.

Shortland, A. J., S. Kirk, K. Eremin, P. Degryse, and M. Walton. “The Analysis of Late Bronze Age Glass from Nuzi and the Question of the Origin of Glass-Making.” Archaeometry 60, no. 4 (2018): 764–83.

Siano, Suzanne. “Conservators as Collaborators: Working with Artist Dan Colen. Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 30 (2017): 77–82.

Skinner, Lucy, and Hiroko Kariye. “A Review of the Long-Term Use of Cyclododecane at Abydos.” In Subliming Surfaces: Volatile Binding Media in Heritage Conservation, 29–38. Cambridge: University of Cambridge Museums, 2018.

Smith, Landis, Kelly McHugh, and Michele Austin-Dennehy. “An Integrated Approach to the Conservation of Cultural Collections.” In Engaging Conservation: Collaboration across Disciplines, 122–30. London: Archetype Publications Ltd, 2017.

Smyth, Andrew W., Patrick Brewick, Raphael Greenbaum, Manolis Chatzis, Anna Serotta, and Isabel Stünkel. “Vibration Mitigation and Monitoring: A Case Study of Construction in a Museum.” Journal of the American Institute for Conservation 55, no. 1 (2016): 32–55.

Snyder, Reba Fishman. “Gainsborough: A Master’s Techniques Revealed.” In Thomas Gainsborough, Experiments in Drawing, 26–37. London: Paul Holberton publishing, 2018.

Spira, Freyda, Rachel Mustalish, Sarah Cowan, Kate Farrell, and Melissa Bell. “Albrecht Dürer’s Monumental Arch. New York, San Bruno: Metropolitan Museum of Art, YouTube distributor, 2019.

Steckling, Friederike, Markus Gross, Stefan Zumbühl, and Nadim C. Scherrer. “Future Prospects of Conservation Treatments with a Micro-Aspirator Tool.” Newsletter (Western Association for Art Conservation) 40, no. 1 (2018): 10–12.

Steckling, Friederike, Abigail Mack, and Sara Levin. “Considering the Continuum of Care for Outdoor Kinetic Sculpture.” In Keep It Moving? : Conserving Kinetic Art : Proceedings from the Meeting Organized by the Getty Conservation Institute, the ICOM-CC Modern Materials and Contemporary Art Working Group, and Museo Del Novecento, Palazzo Reale, Milan, Italy, June 30-July 2, 2016. Los Angeles: Getty Conservation Institute, 2018.

Stein, Chantal. “Medieval Naturalia: Identification, Iconography, and Iconology of Natural Objects in the Late Middle Ages.” Medievalista 29 (2021).

Stoner, Joyce Hill. “Art History, Science and Practice: The Training of Painting Conservators in the Twentieth Century.” Burlington Magazine 159, no. 1373 (2017): 630–63.

———. “Embedded Meanings: The Last Tempera.” In Andrew Wyeth: In Retrospect. New Haven: Yale University Press, 2017.

———. “International Activities in the Preservation Studies Doctoral Program at the University  of Delaware.” News in Conservation, no. 76 (2020).

———. “Powerful Personalities and Pioneers of Painting Conservation: From the FAIC Oral  History Project,.” In The Picture So Far, 9–31. London: Archetype, 2017.

———. “Vignettes of Interdisciplinary Technical Art History Investigation: Supplemented by the FAIC Oral History Archive in Honor of Roger H. Marijnissen.” CeROArt: Conservation, Exposition, Restauration d’objets d’art hors série (2015).

Stoner, Joyce Hill, Kristin deGhetaldi, and Brian Baade. “Two New Resources for Studying the Material Properties of Artworks.” IFAR Journal 18, no. 1 (2017): 32–35.

Stoner, Joyce Hill, and Debra Hess Norris. “Fundraising for Conservation Education: Eight Days a Week.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Stoner, Joyce Hill, and Rebecca Rushfield, eds. The Conservation of Easel Paintings. 2nd edition. Routledge Series in Conservation and Museology. New York: Routledge, 2020.

———. “Who Ya Gonna E-Mail? How International Researchers Have Contributed to and Benefited from the FAIC Oral History Project.” IIC Newsletter, 2018.

Stoner, Joyce Hill, and Muriel Verbeeck-Boutin. “The Impact of Paul Philippot on the Theory and History of Conservation/Restoration.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Stratis, Harriet. “A Brief Chronology of Gauguin’s Methods and Materials.” In Gauguin: Artist as Alchemist. Chicago: Art Institute of Chicago, 2017.

———. “A Practiced Touch: Edgar Degas and the Art of Pastel.” In Drawn in Colour. National Gallery, 2017.

———. “Creative Compulsions: Piecing Together Martin Ramirez’s Monumental Drawings.” In Martin Ramirez: His Life in Pictures, Another Interpretation. Los Angeles: Institute of Contemporary Art, Los Angeles, 2017.

———. “Disrupting Convention : Gauguin’s Unique Multiples and Transfers.” In Gauguin : Artist as Alchemist, First edition. Chicago, Illinois: The Art Institute of Chicago; New Haven, 2017.

———. “Drawing Insight: Observations on Gauguin’s Use of Sketchbooks;” In Gauguin Paintings, Sculpture, and Graphic Works at the Art Institute of Chicago. Chicago: Art Institute of Chicago, 2016.

Stratis, Harriet K., Mary Broadway, and Ken Sutherland. “Martín Ramírez’s Creative Compulsions: The Composition, Construction, and Conservation of His Monumental Collaged Drawings.” The Book & Paper Group Annual 37 (2018): 143–48.

Summerour, Rebecca, and Odile Madden. “Exploring Origins: The Technical Analysis of Two Yoruba Masquerade Costumes at the National Museum of African Art.” The Textile Specialty Group Postprints of Papers Delivered at the Textile Subgroup Session: American Institute for Conservation...Annual Meeting 26 (2017): 185–90.

Sybalsky, Julia, Robert Corrigan, Robert Hanson, Lisa Elkin, and Michael Freshour. “Remote Sensor Technology for Rodent Surveillance in Museums: Trial Program at the American Museum of Natural History.” In Integrated Pest Management (IPM) for Cultural Heritage: Proceedings from the 4th International Conference in Stockholm, Sweden, 21-23 May 2019. Stockholm (Sweden): Riksantikvarieämbetet, 2019.

Sybalsky, Julia, Lisa Elkin, Judith Levinson, Fran Ritchie, and Paul Whitmore. “An Investigation into the Lightfastness of Metal-Complex Solvent Dyes for Use in the Restoration of Faded Mammal Taxidermy.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Taubert, Johanes. Polychrome Sculpture: Meaning, Form, Conservation. Edited by Michele Marincola. Los Angeles, California: Getty Conservation Institute, 2015.

Thomas, David, Matthew L. Clarke, Blythe McCarthy, and Ellen Chase. “Stability of Polyvinyl Butyral Polymers with Light Exposure.” Postprints of the Research and Technical Studies Group (AIC) 6 (2015): 192–213.

Tjiong, Amy, Judith Levinson, Samantha Alderson, Gabrielle Tieu, Jessica Pace, and Lesley Day. “Tissue Issues: Reconsidering Winter Gut.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Tom, Cybele, and Ken Sutherland. “Overpaint Removal from a Quattrocento Polychrome Bas-Relief: Challenges in Interpreting Painted Sculpture.” In ICOM-CC 18th Triennial Conference Preprints, Copenhagen, 4–8 September 2017. Paris: ICOM Committee for Conservation, 2017.

Torres, Jennifer, Katherine J. Gallagher, Sanchita Balachandran, and Lisa Anderson. “Rehousing a ‘Working Collection’: Perspectives from the Johns Hopkins University Archaeological Museum.” Journal of the American Institute for Conservation 56, no. 2 (April 3, 2017): 96–112.

Tyne, Lindsey. “Gouache, Ink, Toner, or Is It Dirty Water? The Drawing Materials of Al Taylor.” In The Drawings of Al Taylor, 54–69. New York: Morgan Library & Museum, 2020.

Van Dyke, Yana, Silvia A. Centeno, Federico Carò, James H. Frantz, and Mark T. Wypyski. “On the Formation of Hörnesite in a Fatimid Manuscript Folio.” Heritage Science 6 (2018).

Vila, Anna, Silvia A. Centeno, Nora W. Kennedy, and Lisa Barro. “Unveiling the Sources of Chromium in Pictorialist Photographs: Gum-Dichromate Process or Paper Sizing?” Hand Papermaking 30, no. 2 (2015): 24–29.

 

Voras, Zachary E., Kristin deGhetaldi, Brian Baade, Eric Gordon, Glenn Gates, and Thomas P. Beebe. “Comparison of Oil and Egg Tempera Paint Systems Using Time-of-Flight Secondary Ion Mass Spectrometry.” Studies in Conservation 61, no. 4 (2016): 222–35.

Walsh, Amy, Joseph Fronek, Elma O’Donoghue, and Leah Rosenblatt Lehmbeck. The Mr. and Mrs. Edward Carter Collection of Dutch Paintings. Los Angeles, Calif.: Los Angeles County Museum of Art, 2019.

Walthew, Jessica, Sarah Barack, Adam Quinn, and Nolan Hill. “Sharing Conservation Imaging Research with the Public.” Journal of the American Institute for Conservation 59, no. 1 (January 2, 2020): 18–26.

Walthew, Jessica, Evelyn Mayberger, Anna Serotta, David Scahill, and Alison Hight. “Collaboratively Thinking Forward: Three-Dimensional (3-D) Data in Conservation and Archaeology.” In Engaging Conservation: Collaboration across Disciplines, 266–78. London: Archetype Publications Ltd, 2017.

Walton, Marc, S. Costello, L. Cooper, et al. “Numbered Jun Ware – A Technical Study.” Journal of the American Institute for Conservation 60, no.4 (October 2, 2021): 255-268.

Walton, Marc, G. Pastorelli, and Sam Nixon. “Gold Processing at the Early Islamic Market Town of Tadmekka, Mali: Preliminary Results from Experimental Replication.” In Caravans of Gold, Fragments in Time : Art, Culture, and Exchange across Medieval Saharan Africa. Princeton: Princeton University Press, 2019.

Walton, Marc, Emeline Pouyet, J. Delaney, et al. “New Insights into Pablo Picasso’s La Miséreuse Accroupie (Barcelona, 1902) Using and X-Ray Fluorescence Imaging and Reflectance Spectroscopies Combined with Micro-Analyses of Samples.” SN Applied Sciences, 2020.

Walton, Marc, Essi Rönkkö, and Taco Terpstra, eds. Portrait of a Child: Historical and Scientific Studies of a Roman Egyptian Mummy. Chicago: Block Museum of Art - Northwestern University, 2019.

Walton, Marc, and Andrew J. Shortland. “Red-Shroud Mummies: Links and Sources.” In Science and the Study of Ancient Egypt. New York: Routledge, 2016.

Walton, Marc, Karen Trentelman, Ilaria Cianchetta, Jeffrey Maish, David Saunders, Brendan Foran, and Apurva Mehta. “Zn in Athenian Black Gloss Ceramic Slips: A Trace Element Marker for Fabrication Technology.” Journal of the American Ceramic Society 98, no. 2 (2015): 430–36.

Wessling, Margaret. “Preservation Concerns for Edward Weston’s Platinum and Palladium Photographs.” In Platinum and Palladium Photographs: Technical History, Connoisseurship, and Preservation, 274–75. Washington DC: American Institute for Conservation of Historic and Artistic Works, Photographic Materials Group, 2017.

Wessling, Margaret, Greta Glaser, and Katherine Sanderson. “Technical Investigation of the Effects of Light and Humidity on Diazotypes.” Topics in Photographic Preservation 16 (2015): 33–45.

Westerby, Genevieve, and Kelly Keegan. “Digital Art History and the Museum: The Online Scholarly Collection Catalogues at the Art Institute of Chicago.” Visual Resources 35, no. 1–2 (April 3, 2019): 141–54.

Williams, Jane L., Caroline Cartwright, and Marc S. Walton. “Defining a Romano-Egyptian Painting Workshop at Tebtunis.” In Mummy Portraits of Roman Egypt: Emerging Research from the APPEAR Project, First edition. Los Angeles (California, United States): J. Paul Getty Museum, 2020.

Wypyski, Mark, Linda Borsch, and Frederico Caro. “The Nineteenth and Twentieth-Century History of the Tazze.” In The Silver Caesars: A Renaissance Mystery. Metropolitan Museum of Art Symposia. New York: The Metropolitan Museum of Art; New Haven ; London, 2017.

Wypyski, Mark T. “Chemical Analysis of Early Islamic Glass from Nishapur.” Journal of Glass Studies 57 (2015): 121–36.

Xu, Bingjie, Kuan He, Pengxiao Hao, Jian Gao, Florian Willomitzer, Aggelos K. Katsaggelos, John E. Tumblin, Oliver Cossairt, and Marc S. Walton. “Time-Domain Optical Coherence Tomography Can Measure Artworks with High Penetration and High Resolution.” In Optics for Arts, Architecture, and Archaeology VII, 11058:110580M. International Society for Optics and Photonics, 2019.

Young, Shauna, and Suzanne Siano. “From Spit to Space: The Use of Traditional and New Techniques to Conserve a Fire-Damaged Collection.” Postprints (American Institute for Conservation of Historic and Artistic Works. Paintings Specialty Group) 28 (2015): 67–77.

Zycherman, Lynda, S. Drosdick, and Roger Griffith. “‘Do What’s Right’: The Conservation of a David Hammons Mud Sculpture.” Object Specialty Group Postprints 24 (2017).

Zycherman, Lynda, and C. Snow. “Conserving Thomas Wilfred’s Lumia Suite, Opus 158,.” In Keep It Moving? Conserving Kinetic Art. Getty Conservation Institute, Los Angeles, 2018.