Recent Publications by Institute Faculty

 

Full List of Recent Publications

Jean-Louis Cohen

Books

Constructed Geographies. Paulo Mendes da Rocha. Matosinhos: Casa da arquitectura, 2023. Ed., with Vanessa Grossman.

Paris Moderne 1914-1945. Paris: Flammarion, 2023. Ed., with Guillemette Morel Journe.

Duke House and the Making of Modern New York: Lives and Afterlives of a Fifth Avenue Mansion. Leiden: Brill, 2023. Ed, with Daniella Berman and Jon Ritter.

Introductions

Introduction to Sigfried Giedion: Costruire in Francia, costruire in ferro, costruire in cemento (Macerata: Quodlibet, 2022), VII-XXIII.

Essays in multi-authored volumes

“Wright on the Scene in France, Russia, and Italy: Observation and Instrumentalization.” In Neil Levine, Richard Longstreth, ed. Rethinking Frank Lloyd Wright; History, Reception, Preservation (Charlottesville, London: University of Virginia Press, 2023), 51-82.

“Constructivism revisited.” In Marta Sequeira, ed. Flash Back/Carrilho da Graça (Matosinhos: Casa da arquitectura, 2022), 188-197.

“Un architecte fort occupé: Auguste Perret, 1940- 1944.” In Ana Bela de Araujo, Émeline Curien, Pierre Maurer, Karine Thilleul, ed. Le véritable enjeu de l’histoire est la contemporanéité, mélanges offerts à Joseph Abram (Paris: Jean-Michel Place, 2022), 43-48.

“Italie, relations et échanges,” and “Régime de Vichy.” In Anne-Marie Châtelet, Amandine Diener, Marie-Jeanne Dumont, Daniel Le Couédic, ed.
L’Architecture en ses écoles: une encyclopédie de l’enseignement de l’architecture au XXe siècle (Paris: Locus Solus, 2022), 428-429 and 573-576.

“Ingegnieri dell’occupazione.” In Pippo Ciorra, Maristella Casciato, ed. Technoscape: l’architettura dell’ingegneria (Rome: MAXXI/Florence: Forma, 2022), 63-72

“The Architect as Intellectual.” In Denise R. Costanzo, Andrew Leach, ed. Italian Imprints on Twentieth Century Architecture (London: Bloomsbury, 2022), 11-26

“The Park and the Box.” In Robert Jan van Pelt, Mark Podwal, Manuel Herz, ed. How Beautiful Are
Your Dwelling Places, Jacob: An Atlas of Jewish Space and a Synagogue for Babyn Yar (Zurich: Park Books/Chicago: University of Chicago Press, 2022).

“A Joyful Complexity.” In Matthias Sauerbruch, Louisa Hutton, ed. The Turn of the Century: A Reader About Architecture in Europe 1990-2020 (Zurich: Lars Müller Publishers, 2022), 80-84.

Periodical articles

“The Invention of Frank Gehry.” a + u Architecture and Urbanism, no. 628 (January 2023): 6-19.

“La condizione transurbana.” Domus, no. 1073 (November 2022): 42-47.

“In ricordo di Carlo Melograni: quando l’architettura era una causa.” Rassegna di architettura e urbanistica 67, no. 167 (May-August 2022): 78-84.

Thomas Crow

The Artist in the Counterculture: from Bruce Conner to Mike Kelley and Other Tales from the Edge (Princeton University Press, 2023).

“Right as Rain: Quests and Transformative Garments in the Major Books of Maurice Sendak,” in Jonathan Weinberg ed., Wild Things Are Happening: The Art of Maurice Sendak (Columbus Museum of Art: DAP, 2022), 54-99.

Colin Eisler

“Oxford’s Art-Historical Circus: Life as a Henry Fellow at Magdalen College 1952–3,” The Edgar Wind Journal, Volume 3 (2022).

“Michelangelo’s first painted tondo? The Budapest Saint John on Patmos,” by Colin Eisler, with the assistance of Sarah Harris, in Colnaghi Studies Journal, Issue 10 (March 2022).

Finbarr Barry Flood

“Premodern Globalism in Art History: A Conversation,” with Beate Fricke, The Art Bulletin (104/4, 2022), 6-19.

“Reuse and Recycling in the Islamic Lands,” in Salvatore Settis, ed., Recycling Beauty (Fondazione Prada, Milan, 2022) 368-377.

“Globalism” for a questionnaire on global methods, October (180, spring, 2022), 29-32.

Entry on “Sandale” for the Chosier and Catalogue entry No. 23 (on the image of the sandal of the Prophet Muhammad), accompanying catalogue edited by Laurence Bertrand Dorléac, for the exhibition Les Choses: Une histoire de la nature morte (Musée du Louvre, Paris, 2022), 62 & 414-
415.

Kathryn Howley

Howley, K.E. Review of Dietrich Raue (ed.), Handbook of Ancient Nubia, De Gruyter, 2019. Journal of Near Eastern Studies (2022).

Dipti Khera

Co-editor, A Splendid Land: Paintings from Royal Udaipur, India (Washington D.C.: National Museum of Asian Art and Munich: Hirmer, 2022).

Co-authored essays in the catalogue: “A Splendid Land,” in A Splendid Land: Paintings from Royal Udaipur, India. Ed. Debra Diamond and Dipti Khera (Washington D.C.: National Museum of Asian Art and Munich: Hirmer, 2022).

“Cultural Landscapes and Creation of Mood,” in A Splendid Land: Paintings from Royal Udaipur, India. Ed. Debra Diamond and Dipti Khera (Washington D.C.: National Museum of Asian Art and Munich: Hirmer, 2022).

Thematic catalogue entries

“Architecture of Ambience;” “Lake Pichola and Aravalli Mountains;” “Lakes Palaces and Pleasure;” “Inside the City Palace;” “Beyond the Palace Gates;” “Durbars and Diplomacy;” “Pleasures of Sirdar Singh;” “Mood of Shri Eklingji;” “Monsoon Moods;” “Springtime Celebrations;” in A Splendid Land: Paintings from Royal Udaipur, India. Ed. Debra Diamond and Dipti Khera (Washington D.C.: National Museum of Asian Art and Munich: Hirmer, 2022).

Translations of inscriptions and poetry associated with published paintings: “Reference Catalogue,” in A Splendid Land: Paintings from Royal Udaipur, India. Ed. Debra Diamond and Dipti Khera (Washington D.C.: National Museum of Asian Art and Munich: Hirmer, 2022).

“Jagvilas: Pleasure and Power in Eighteenth- Century Udaipur Painting,” in The Long Arc of South Asian Art: A Reader in Honour of Vidya Dehejia. Ed. Annapurna Garimella (New Delhi and Mumbai: Women Unlimited and Marg Publications,
2022).

Robert Lubar Messeri

“Picasso’s Challenge, Miró’s Assassination,” catalogue essay forthcoming in Miró/Picasso (Barcelona: Museu Picasso and Fundació Joan Miró, October 2023).

“Miró and Calder: Movement in Space,” catalogue essay in Miró/Calder (Porto: Museu Serralves, June
2023).

Clemente Marconi

 Marconi, C. ed. 2023. Picasso e l’antico. L’incontro con le opere del Museo Archeologico di Napoli. Milan: Electa (2023).

“Trasformare il paesaggio urbano nella Grecia Arcaica: il caso del grande santuario urbano di Selinunte.” In Experiencing the Landscape in Antiquity 2, eds. A. Cristilli, F. de Luca, G. di Luca, and A. Gonfloni, 431–439. Oxford: Bar Publishing (BASR S3107) (2022).

Marconi, C. and A.F. Ward. 2022. “Armi e pratica rituale nel settore meridionale del grande santuario urbano di Selinunte.” In Armi votive in Sicilia, eds. A. Scarci, R. Graells i Fabregat, and F. Longo, 151-
170. Mainz: Verlag des Römisch-Germanischen Zentralmuseums (2022).

“Greeks and Natives at the Foundation of Selinus: A Revision.” In Comparing Greek Colonies: Mobility and Settlement Consolidation from Southern Italy to the Black Sea (8th – 6th Century BC). Proceedings of the International Conference (Rome, 7.–9.11.2018), eds. C. Colombi, V. Parisi, O. Dally, M. Guggisberg and G. Piras, 291-303. Berlin and
Boston: De Gruyter. (2022).

Meredith Martin

Books

The Sun King at Sea: Maritime Art and Galley  Slavery in Louis XIV’s France, co-authored with Gillian Weiss (Getty Research Institute Publications, 2022). Translated into French as Le Roi-Soleil à la mer: Art maritime et galériens dans la France de Louis XIV (Paris: Éditions de l’EHESS, 2022).

Reimagining the Ballet des Porcelaines: A Tale of Magic, Desire, and Exotic Entanglement, ed. Meredith Martin (Harvey Miller/Brepols, 2022). Related to the re-staging of a lost French ballet from 1739 called the Ballet des Porcelaines, for which I served as co-creator and producer.

Articles

“Confronting Slavery in the Museum, from New  York to Nantes,” Age of Revolutions, March 2023

“Ixion’s Wheel, or The Four Elements: Drawing Order from Chaos in Eighteenth-Century France,” in Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque Nationale de France, exh. cat., Clark Art Museum and Bibliothèque Nationale de France, 2022

Alexander Nagel

The Expanded Field of Conservation (edited with Caroline Fowler), Clark Art Institute, 2022 Essays by Fernando Domínguez Rubio, Sven Dupré, Jennifer Bajorek, Noémie Étienne, Annika Finne, Caroline Fowler, Murad Khan Mumtaz, Yukio Lippit, Alva Noë, Iwataro Oka, Brian Michael
Murphy, Kavita Singh, Gabriela Siracusano

“Introduction: Conservation as Performance,” in The Expanded Field of Art Conservation, eds. Caroline Fowler and Alexander Nagel (Williamstown: Clark Art Institute, 2022), 8-15

“Raphael’s Global Philosophy,” Res: Journal of Anthropology and Aesthetics 77/78 (2022): 267

Christine Poggi

“Picasso, 1917 Circa: Lo stile come eterodossia,” in Picasso e l’Antico: L’incontro con le opere del Museo Archeologico di Napoli, ed. Clemente Marconi, ex. cat. (Naples: Museo Archeologico
Nazionale di Napoli/Electa, 2023), 8-35.

Patricia Rubin

“‘Perverse Images’: Monstrous Beauty and Monkey Business in Italian Art from Botticelli to Bronzino,” for publication in the acts of the conference, Corps troublants, Images et imaginaires dans la première modernité/Disturbing Bodies. Images and Imaginary during Early Modern Period, ed. Francesca Alberti and Antonella Fenech Kroke (Académie de France à Rome), 2022.

“Dangerous Liaisons: Compromising Positions and Provocative Allusions in Bronzino’s Martyrdom of St. Lawrence,” Studiolo: Revue d’Histoire de l’Art, Académie de France à Rome – Villa Medicis, XVIII, 2022.

“Michelangelo’s Monkey and the Melancholy of Death,” for publication in the acts of the conference Sculpter à la Renaissance: un art pour (é)mouvoir, ed. Monica Preti and Marc Bormand (Paris: Musée du Louvre), 2022.

Robert Slifkin

“Changing (with all kinds of delays),” in Berenice Abbott’s Greenwich Village (New York: Marlborough Gallery, 2023), 7-17.
“Footsteps in the Snow: Unraveling a Christmas Music Mystery,” Artforum online (22 December 2022).

“Et in Arcadia Entropia,” in William Eggleston The Outlands (New York: David Zwirner, 2022), 92-98.

Catalog Entries on Bob Dylan, Leo Steinberg’s “Contemporary Art and the Plight of the Public,” Ray Charles’s Modern Sounds in Country and Western Music, Lee Friedlander’s The Little Screens, James Baldwin’s “Letter from a Region in My Mind,” Bob Dylan at the Newport Folk Festival, Stanley Kubrick’s Dr. Strangelove, and Marshall McLuhan’s Understanding Media in Germano Celant, ed. New York 1962-1964, exh. cat. (New York: Jewish Museum, 2022), 50-51, 55, 113, 126, 240-42, 283, 295.

Edward J. Sullivan

“Conversations with Ilona Katzew” in exhibition catalogue: Archive of the World: Art and Imagination in Spanish America, 1500-1800 ( Los Angeles County Museum of Art and Delmonaco books, 2022).

“Doctora Inmaculada Socias Batet and the Institute of Fine Arts,” in Scripta Mirabilia: Docència, Recerca, Transferència de Coneixement a Inmaculada Socias I Batet, Historiadora de l’Art (Montserrat, Catalonia, Spain: Publicacions de l’Abadia de Montserrat, 2022).

Thelma K. Thomas

“Fashioning Ascetic Leadership: The Enduring Tradition of Mantles of Authority in Portraits of Egyptian Monastic Fathers,” in Elisabeth O’Connell, ed., Egypt and Empire: Religious Identities from Roman to Modern Times (The British Museum), 2022.

“Sacred Space in Late Antique and Coptic Egypt” in Richard Etlin, editor in chief, Ann Marie Yasin and Stephen Murray, eds., The Cambridge Guide to the Architecture of Christianity, vol. 1 (Cambridge University Press) 68-79, 2022.